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Scotty Mckay Scotty McKay Rocks (CD)

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Scotty McKay alias Max K. Lipscomb - nouveau dans notre série ROCKS ! 1-CD avec livret de 32...plus

Scotty Mckay: Scotty McKay Rocks (CD)

Scotty McKay alias Max K. Lipscomb - nouveau dans notre série ROCKS !

1-CD avec livret de 32 pages, 32 titres. Durée totale de lecture d'environ 79 minutes.
  • Pour cette compilation, Bear Family a rassemblé tous les rockers de Scotty McKay des années 1956-1967.
  • Pendant cette période, il est sorti sur Event, Swan, Lawn, Ace, Squire, Philips, Capri, Savannah Sound et Falcon.
  • Scotty a été membre des Blue Caps de Gene Vincent pendant un certain temps et s'est produit avec cette formation au Ed Sullivan Show le 17 novembre 1957 !
  • Entre 1959 et 1962, Scotty McKay est le chanteur de Tommy & The Tom Toms, dont les rockeurs ne sont pas encore sortis à cette époque.
  • Et il a enregistré quelques chansons sous son vrai nom Max K. Lipscomb.
  • Livret complet avec biographie et informations complémentaires par Bill Dahl.
Peut-être Scotty McKay n'apparaîtra-t-il jamais dans la liste des "100 meilleurs musiciens de tous les temps". En tant que pianiste et guitariste, il n'a laissé que quelques traces dans l'histoire du Rock 'n' Roll - même s'il a été membre des Blue Caps de Gene Vincent pendant un certain temps vers 1957 et s'est produit au "Ed Sullivan Show" le 17 novembre 1957. Il a également chanté en fond sonore et joué du piano et de la guitare rythmique sur Baby Blue et on peut l'entendre sur l'album LP "Gene Vincent Rocks & The Blue Caps Roll".
En tant que rocker authentique et chanteur principal convaincant, Scotty McKay appartient cependant à ce groupe de maîtres authentiques du genre qui méritait de faire grand, mais qui a surtout fait d'excellents enregistrements dans l'ombre des grands noms et s'est produit régulièrement.
Nous pensons que Scotty McKay fait tout simplement partie de notre série unique ROCKS !

Pour la première compilation complète, Bear Family a réuni tous ses rockers des années 1959 à 1966. Des enregistrements qui ont été réalisés pour des labels comme Event, Swan, Lawn, Ace, Squire, Philips, Capri, Savannah Sound et Falcon. Beaucoup de ces titres sont ici publiés sur CD pour la première fois ! En plus de ses propres rockers (et de ceux qui portent son nom de naissance Max K. Lipscomb), McKay a été chanteur avec Tommy & The Tom Toms entre 1959 et 1962, mais leurs enregistrements de rock n'ont pas été publiés initialement sous forme de singles ou de LP.

Le livre d'accompagnement a été écrit par notre expert de Chicago, Bill Dahl. Chez Bear Family, nous en sommes absolument sûrs : les rockers de Scotty McKay comme Evenin' Time', Midnight Cryin' Time, Baby Let's Play House, Don't Wait et bien d'autres vous épateront certainement !


Video von Scotty Mckay - Scotty McKay Rocks (CD)

Propriétés de l'article: Scotty Mckay: Scotty McKay Rocks (CD)

  • Interpret: Scotty Mckay

  • Titre de l'album: Scotty McKay Rocks (CD)

  • Genre Rock'n'Roll

  • Label Bear Family Records

  • Preiscode AR
  • Edition 2 Deluxe Edition
  • Artikelart CD

  • EAN: 5397102175190

  • Poids en kg: 0.2
McKay, Scotty - Scotty McKay Rocks (CD) CD 1
01 Rollin' Dynamite Scotty Mckay
02 Baby Let's Play House Tommy & The Tom Toms
03 The Girl Next Door Scotty Mckay
04 Bad Times (Acetate) Scotty Mckay
05 I've Got My Eyes On You Scotty Mckay
06 You're So Square Scotty Mckay
07 I've Been Thinkin' Scotty Mckay
08 Little Miss Blue Scotty Mckay
09 Be-Bop-A-Lula Scotty Mckay
10 Let It Rock Scotty Mckay
11 Evening Time (Acetate) Scotty Mckay
12 Midnight Cryin' Time Scotty Mckay
13 Somebody Help Me Tommy & The Tom Toms
14 Don't Wait (Key C) (Acetate) Scotty Mckay
15 Oh Boy Tommy & The Tom Toms
16 Roberta Scotty Mckay
17 Rollin' Danny (Acetate) Scotty Mckay
18 So Tough Tommy & The Tom Toms
19 Pull Down The Sky Scotty Mckay
20 Who Do You Love Scotty Mckay
21 All Around The World Scotty Mckay
22 Waikiki Beach Scotty Mckay
23 Cry Me A River (Acetate) Scotty Mckay
24 Little Lump Of Sugar Scotty Mckay
25 Sea Cruise Scotty Mckay
26 You Can't Catch Me Tommy & The Tom Toms
27 Dixie Doodle Dandy Scotty Mckay
28 Jambalaya Tommy & The Tom Toms
29 Evenin' Time Scotty Mckay
30 The Train Kept-A-Rollin' Scotty McKay Quintet
31 Don't Wait (Key F) (Acetate) Scotty Mckay
32 It's Too Late Tommy & The Tom Toms
Scotty McKay At some point around mid 1957, Max Lipscomb joined Gene Vincent's Blue... plus
"Scotty Mckay"

Scotty McKay

At some point around mid 1957, Max Lipscomb joined Gene Vincent's Blue Caps, later insisting that he was seventeen at the time. He played piano on 'Gene Vincent Rocks and the Blue Caps Roll,' hung around for a tour or two, and appeared with Vincent on 'The Ed Sullivan Show.' In truth, Lipscomb wasn't much of a pianist and only took the role because Vincent had decided on the spur of the moment that he needed a piano in his line-up. Lipscomb later returned to the Blue Caps as a vocalist and sometime bassist and guitarist during the band's last hurrah. By all accounts, Lipscomb was born in Dallas in 1937, which would make him twenty when signed on with Vincent, not seventeen. The only major piece about him, 'And They Gave Me Oklahoma and Tennessee' by Bob Dunham ('New Kommotion' #12) doesn't dwell on the early years. When the Blue Caps folded, Lipscomb and fellow Blue Cap Grady Owen took a bus to New York, and looked up Frank Slay and Bob Crewe, who were in surreptitious partnerships with Dick Clark.

Slay and Crewe agreed to record Lipscomb, and apparently Clark insisted on the name-change to Scotty McKay. "I cut a song called 'Rollin' Dynamite' for Parkway Records," McKay told Dunham. "A pretty nice record, a territorial hit. My record was very rock 'n' roll. The rockin' rollin'est. Never have I rocked and rolled like that. The Rays, who did 'Silhouettes,' sang background on it." The composer credit on Rollin' Dynamite was 'Jo Ann Owen' (presumably Grady Owen sidestepping a prior contract). The Rays were produced by Slay and Crewe for XYZ and Cameo Records, and Slay/Crewe came to Boston to negotiate with Freddy Cannon, which might account for their contact with Cecil Steen. It would have been very strange for Parkway, then riding Chubby Checker's first hit, The Class, to lease a record to a smaller label, but unless Slay and Crewe indeed made contact with Steen in Boston, it's hard to account for Event's role in what was otherwise a New York/Philadelphia session. Both songs were recorded in New York and published by Conley Music in Philadelphia. Al Hawkes has no recollection other than that it was Cecil Steen's deal.

The release dates reported in 'Billboard' tend to support the assumption that the Event record came first (May 1959), followed by the Parkway record two months later, so the likeliest scenario is that Slay and Crewe sold the record to Event, and, when it started to get a little action, pressured Steen to let them lease it to Parkway. McKay auditioned for a Dick Clark tour, but told Dunham, "We were a Ronnie Hawkins type band, except more southern than Hawkins," and Clark didn't like "Southern" at all. There was one more single on Swan Records (another label in which Clark held an interest), and then it was back to Texas on the bus. The story from that point is one of missed opportunities, bad breaks, and brushes with rich and famous as the labels grew ever smaller. He was on Lawn, Ace, Squire, Desk, Falcon, Charay, Pompeii, and quite a few others.

In 1963, he produced and co-wrote a Top 50 hit, Kirby St. Romain's Summer's Comin', but was soon embracing the British Invasion with the same fervor with which he'd once embraced rock 'n' roll. He toured the US with the Yardbirds, and they brought him back to England for a one single deal with Columbia (UK). Soon after that, McKay recorded The Train Kept A Rolling, which he'd learned from the Yardbirds. His version was rumored to have Jimmy Page on guitar, although the revelation that it was Blair Smith reduced its value quite considerably. McKay wasn't doing well when Dunham spoke to him in 1972 (he was a local promo man for UA Records), but was still hoping for the big deal. His later years were spent dabbling in Christian music. A heart attack claimed him on March 17, 1991.

Various That'll Flat Git It Vol.20 (Event)
Read more at: https://www.bear-family.de/various-that-ll-flat-git-it-vol.20-event.html
Copyright © Bear Family Records

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Évaluations de clients pour "Scotty McKay Rocks (CD)"
5 mai 2020

This is fascinating as it is rocking, the sleeve notes are extensive, this release is a tremendous tribute to the career of an unsung artist tragically dead at the age of 50

This is fascinating as it is rocking, the sleeve notes are extensive, this release is a tremendous tribute to the career of an unsung artist tragically dead at the age of 50. Delve deeply into this and meet Scotty McKay, you'll be glad you did

10 mars 2020

xoxo

Scotty never forget

10 mars 2020

Top compilation!

A long overdue release at all and a fantastic add to 'The Greatest Rock & Roll series' ever! Thanks for this tremendous CD! Scotty McKay was a real wild man!

10 mars 2020

Rock'n'Roll Rules OK

Rock'n'Roll Rules OK

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Presse et revues de presse
Presse Archiv - Scotty McKay Scotty McKay Rocks (CD) - UK Rock and Roll
Presse Archiv - Scotty Mckay Scotty McKay Rocks (CD) - UK Rock and Roll Bear Family ( At first glance Scotty McKay a would be one of the more obscure artists to join the burgeoning 'Rocks' series. is You've probably heard him at several times though, he was th briefly a member of Gene fa Vincent's Blue Caps, briefly, SI but long enough to record ea with him, including 'Baby ar Blue' and appear on the Ed sc Sullivan show in 1957. Bear 4,\ Family have dug deep in the vaults for this compilation spanning 1956 to the 1966 hi including some acetates. It's cfi fascinating to follow Scotty's ri career from the early youthful ti rockers through to the 1960's.
05.05.2020
Presse Archiv - Scotty McKay Scotty McKay Rocks (CD) - Music Street Journal
Presse Archiv - Scotty McKay Scotty McKay Rocks (CD) - Music Street Journal Review by Gary Hill This new compilation CD captures some solid rock and roll music. This is very much old school music. There is a decent range here, though. It's all pretty solid, and there are some highlights. The disc comes with a large booklet, making for quite a nice package. This review is available in book format in Music Street Journal: 2020 Volume 3 at lulu.com/spotlight/strangesound. Track by Track Review Rollin' Dynamite This is a high energy old-school rock and roller. I dig the retro rock and roll guitar solo. Tommy & The Tom Toms: Baby Let's Play House Feeling very much like Elvis Presley, this rocker is fun stuff.
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Tracklist
McKay, Scotty - Scotty McKay Rocks (CD) CD 1
01 Rollin' Dynamite
02 Baby Let's Play House
03 The Girl Next Door
04 Bad Times (Acetate)
05 I've Got My Eyes On You
06 You're So Square
07 I've Been Thinkin'
08 Little Miss Blue
09 Be-Bop-A-Lula
10 Let It Rock
11 Evening Time (Acetate)
12 Midnight Cryin' Time
13 Somebody Help Me
14 Don't Wait (Key C) (Acetate)
15 Oh Boy
16 Roberta
17 Rollin' Danny (Acetate)
18 So Tough
19 Pull Down The Sky
20 Who Do You Love
21 All Around The World
22 Waikiki Beach
23 Cry Me A River (Acetate)
24 Little Lump Of Sugar
25 Sea Cruise
26 You Can't Catch Me
27 Dixie Doodle Dandy
28 Jambalaya
29 Evenin' Time
30 The Train Kept-A-Rollin'
31 Don't Wait (Key F) (Acetate)
32 It's Too Late