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Marty Robbins Marty Robbins - Rocks

Marty Robbins - Rocks
 
 
Star Rating (5)

Réf. de l’article: BCD17245

Poids en kg: 0,200

 

Immédiatement disponible à l'expédition, Délai de livraison env. 1 à 3 jours ouvrés.

Au lieu de : 16,95 € * (5.9 % économisé)
15,95 € *
 
 
 
 
 

Marty Robbins: Marty Robbins - Rocks

Video von Marty Robbins - Marty Robbins - Rocks

1 CD Digipack avec livret de 32 pages, 30 titres. Temps de lecture env. 72 mns.

Contient 29 rockabilly, teen pop et pays rockin 'suit tous des maîtres originaux!
Comprend le seul enregistrement connu par Robbins de son auto-écrit rockabilly classique, «Sugaree '!
Caractéristiques tout le contenu de la première LP, l'ultra-rare 1956 communiqué, «Robbins Rock 'n' Roll'n Robbins '!
Livret de 32 pages avec de nombreuses photos rares et l'histoire intégrale des enregistrements de rock de Robbins, avec une discographie détaillée!

De tous les artistes de pays établis à flirter avec le rockabilly et le rock 'n' dans les années 1950, Marty Robbins était probablement celui qui détestait la musique la plus - mais fait records les plus authentiques! En tournée en Floride avec Elvis Presley en 1955, Marty Robbins a vu l'avenir et il a secoué! Il a couvert le succès d'Elvis «C'est très bien» et a enregistré une flopée de classiques rockabilly comme «Tennessee Toddy» et «respectueusement Mlle Brooks, avec Hillbilly Cat couvre de rock 'n' chansons de rouler comme« Maybelline »et« Long Tall Sally » . Même après avoir quitté rockabilly derrière et retourner au pays, il a poursuivi une carrière parallèle en pop adolescente avec des disques comme «Dream Teen-Age», «Larmes adulte» et «Stairway of Love '. Cette compilation rassemble tous Robbins dossiers rockabilly avec la crème de son teen pop et rock 'n' roll enregistrements des années 1950 et 60. En tout, 29 titres fabuleux toutes été prises par les maîtres d'origine, plus un bonus track du seul enregistrement connu de Marty Robbins effectuant le rockabilly classique, «Sugaree"" - une chanson qu'il avait écrit et placé avec le Jordanaires, Hank Ballard, Rusty York et bien d'autres. C'est un regard fascinant et rockin à une superstar de la musique country qui aurait pu être un pionnier de rock'n'roll si les choses avaient tourné différemment!"

1 CD Digipack avec livret de 32 pages, 30 titres. Temps de lecture env. 72 mns


 

Songs

Marty Robbins - Marty Robbins - Rocks Medium 1
1: Jeannie & Johnny
2: Grown-Up Tears
3: Ruby Ann (chart version)
4: It's Driving Me Crazy
5: Maybelline
6: Baby's Gone
7: Ain't Life A Cryin' Shame
8: You've Been So Busy Baby
9: Sometimes I'm Tempted
10: Teenager's Dad
11: Long Tall Sally
12: Respectfully Miss Brooks
13: Long Gone Lonesome Blues
14: Pain And Misery
15: That's All Right
16: Tennessee Toddy
17: I'll Know You're Gone
18: Knee Deep In The Blues
19: You Don't Owe Me Thing
20: Mean Mama Blues
21: Mister Teardrop
22: Pretty Mama
23: I Can't Quit
24: Baby , I Need You
25: Footprints In The Snow
26: Just Married
27: Teen-Age Dream
28: Stairway Of Love
29: She Was Only Seventeen (And He Was One Year M
30: Sugaree (live)

 

Artikeleigenschaften von Marty Robbins: Marty Robbins - Rocks

  • Artiste Marty Robbins

  • Albumtitel: Marty Robbins - Rocks

  • Format CD
  • Catégorie Rock 'n' Roll
  • Music Genre Rock 'n' Roll
  • Music Style Rock & Roll
  • Music Sub-Genre 201 Rock & Roll
  • Edition 2 Deluxe Edition
  • Titre Rocks
  • Marque BEAR FAMILY RECORDS
  • Code de prix AR
  • Sous-catégorie Rock - Rock'n'Roll
  • EAN/GTIN 4000127172457

  • Poids en kg 0.200
 
 

Description du fabricant "Robbins, Marty"

Marty Robbins

Geb. 26. 9. 1925 in Glendale - Arizona gest. 8. 12. 1982
Record Labels: Columbia, Embassy, Hallmark, MCA, Bear Family

Although the infant known as rock 'n' roll had been toddling around America for quite a while before Elvis Presley cut That's All Right on a summer's evening in July 1954, it was the break-out success of that record that brought this supposed 'new sound' to the attention of the hillbilly music industry. By 1955, what at first seemed to be a novelty success was obviously a growing trend. And although no one was sure that rock 'n' roll was here to stay, it was certainly beginning to cut into the incomes of many established country music stars.

With the craze for this new beat, it just made sense for country singers to grab a piece of the rock 'n' roll pie. Some performers were baffled by the music and it showed in their attempts. Others took to the new sound instinctually – understanding the connection to hillbilly boogie and the 'sock rhythm' of Hank Williams and the younger breed of honky-tonkers that had followed in his wake. Although these artists produced a handful of great rockabilly records, they were still wading the shallow end of the rock 'n' roll pool rather than diving fully into the deep end.

And then, there were a few singers that might have very well abandoned country music for a rock 'n' roll or pop career if things had worked out slightly differently. That's certainly the case for Marty Robbins, who for roughly a year, was definitely pointing his career in a rock 'n' roll direction without ever coming off as a poser or pretender. But Robbins was never one to rely on just one style, no matter how much success he found in that field. As he told journalist Bob Allen in 1981, "I don't want to be put in any category. I don't want to get in a rut." It was Robbins' refusal to be pigeonholed and his musical eclecticism that enabled him to record great rock 'n' roll and rockabilly records but also led him to many others fields.

If rock was the soundtrack of teenage rebellion, Robbins certainly had experience. Born September 26, 1925, near Glendale, Arizona as Martin David Robinson, his early years were spent in a poverty-stricken household with an alcoholic father who frequently vented his rage on his wife and nine children. Although his parents divorced when he was twelve, it did little to help the family's financial situation. Entering his teens, Robbins found rebellion as a way to express his anger and frustrations – engaging in petty crimes that led to several encounters with the law. His rehabilitation eventually came at the hands of the U.S. Navy. He enlisted in May 1943, and served in the Pacific where he piloted landing craft during the bloody fighting for the Solomon Islands.

But the Navy did more than reform him from a life of crime. It was while he was in the service that he first began taking an interest in performing, learning to play the guitar. Although hillbilly music was very common in Arizona, Robbins' main exposure to music as a child had been radio crooners and the singing cowboys in the Western movies he dearly loved. Many of his fellow sailors were Southerners, and it was from them that Robbins learned to appreciate hillbilly music.

When he returned to Glendale, Arizona after the war, Robbins drifted into a career as a hillbilly singer, eventually changing his name to the shorter and catchier 'Marty Robbins.' Part of the reason for his career choice was simply because he had little patience for the 8 to 5 grind of a normal job, and with many honky tonks and hillbilly radio shows scattered across the Southwest, the hillbilly field rather than pop crooning was where the most opportunities lay for breaking into the business. Early on, Robbins demonstrated a sharp business sense and the willingness to work hard at his career. Throughout the late 1940s and into the '50s Robbins kept a busy schedule working in radio and TV, along with personal appearances that ranged from Texas to California. It was this hard work, learning the business and developing his skills as a consummate entertainer that led to his signing with Columbia Records in 1951.

Starting with Robbins' first session for Columbia in November 1951, he began developing the smooth, melancholy style that led to the nickname, 'Mr. Teardrop.' It was a variation on the Eddy Arnold country crooner formula of heartbreak ballads that relied on the interplay between smooth vocals and the cry of the steel guitar. This formula led to Robbins' first two hits, I'll Go On Alone, that reached number one on the 'Billboard' Country singles chart for one week in January 1953, and I Couldn't Keep From Crying that reached number five in March 1952.

 

Excerpt from BCD17245 - Marty Robbins Marty Robbins - Rocks
Read more at: https://www.bear-family.de/robbins-marty-marty-robbins-rocks.html
Copyright © Bear Family Records 

 
Presseartikel über Marty Robbins - Marty Robbins - Rocks
Évaluations des clients pour "Marty Robbins - Rocks"
Moyenne des évaluations des clients :
Star Rating
(parmi 5 évaluations de clients)
 
 
De : Redecker 2014-03-13 13:57:16

The rock'n'roll and up-tempo side of country's most versatile vocalist. This set comes with a 32pp booklet well annotated with full recording details and rare photos.
Maverick 5-6/2013 Alan Cackett

 
De : Redecker 2014-03-13 13:57:03

This album is special because it shows Marty's versality, with tracks from boppers, rockers, ballads and story songs. Excellent!
Country Music People 3/2013 Roland Purdy

 
De : Redecker 2014-03-13 13:56:52

This is a really terrific CD!
Blue Suede Shoes # 99 Gaby Maag-Bristol

 
De : Redecker 2014-03-13 13:56:42

Klar, dass es ein umfangreiches Booklet mit Infos und Discografie gibt.
R & R Musikmagazin 6/2012 H.G. Hartig

 
De : Muzyk 2013-04-30 17:14:40

Die Songs erinnern mich an meine Jugend und was ich damals auf AFN gehört habe. Ein schönes Wiederhören mit der Vergangenheit. (ist allerdings sehr persönlich).

 
 
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