Earl King Street Parade (LP, 180g colored Vinyl)

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Réf. de l’article: LPTRC0401
Poids en kg: 0.34

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(501 Records Club) 13 titres, vinyle orange 180 g, insert imprimé « Street Parade, produit par...plus

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Earl King: Street Parade (LP, 180g colored Vinyl)

(501 Records Club) 13 titres, vinyle orange 180 g, insert imprimé

« Street Parade, produit par le légendaire Allen Toussaint et mettant en vedette The Meters, incarne l'essence même du R&B de la Nouvelle-Orléans. La voix soul d'Earl King, la production magistrale de Toussaint et l'instrumentation précise de The Meters se marient pour créer une véritable célébration musicale. Collaboration entre des talents hors pair, Street Parade reste un jalon important dans l'héritage musical de la Nouvelle-Orléans. »

Propriétés de l'article: Earl King: Street Parade (LP, 180g colored Vinyl)

Interpret: Earl King
Titre de l'album: Street Parade (LP, 180g colored Vinyl)
Genre Blues
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Artikelart LP
Label 501 Record Club
EAN: 0659465007507
Poids en kg: 0.34

King, Earl - Street Parade (LP, 180g colored Vinyl) LP 1
01	Street Parade - Part 1	Earl King
02	You Make Me Feel Good	Earl King
03	Some People Are	Earl King
04	Fallin'	Earl King
05	A Mother's Love	Earl King
06	Mama & Papa	Earl King
07	Medieval Days	Earl King
08	This Is What I Call Living	Earl King
09	Do The Grind	Earl King
10	A Part Of Me	Earl King
11	Love Look Out For Me	Earl King
12	Street Parade - Part 2	Earl King
13	Up On The Hill	Earl King

Earl King Songwriter, singer, guitarist, and hitmaker: Earl King wore a lot of hats on the... plus

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"Earl King"

Earl King

Songwriter, singer, guitarist, and hitmaker: Earl King wore a lot of hats on the 1950s New Orleans R&B scene. After making some regional noise with his impassioned 1954 Specialty single A Mother's Love (see Disc Four), he cast his lot with Johnny Vincent's fledgling Ace Records and gave the label its first national hit the following year with his plaintive two-chord blues Those Lonely, Lonely Nights.

"Johnny used to work with Specialty before he started his own label, Ace," said the late King. "One day, he came to me and said, 'Look, Earl, I'm starting a label. You ain't doing anything with Specialty, they ain't doing anything with you. You got some good songs. Why don't you come on over with me? Let's see if we can make some money.' And that's what happened. I went over with Johnny, and the first record I did with him was 'Those Lonely, Lonely Nights.' And it took off for him real quick."

Huey 'Piano' Smith's rolling 88s were a principal factor in the record's atmospheric charm, and Huey would continue to rattle the ivories on many of Earl's Ace encores. Yet My Love Is Strong, You Can Fly High, Well'O Well'O Well'O Baby, and Everybody's Carried Away, the latter three rampaging Crescent City rock and roll outings, came and went without anyone outside the Big Easy much noticing.

Earl's stop-time rocker Darling Honey Angel Child emerged on recording engineer Cosimo Matassa's Rex label in 1960. "That really was an instrumental," said Earl. "I kept saying, 'I wish I could put some words to this!' One day, I said, 'Oh well, what the hell, let me put some words to this groove.' And that's what I did."

Again, the record never made it past the bayous of Louisiana. King expanded it into a two-part single upon signing with Imperial later that year, re-titling his creation Come On and inserting scads of singular lead guitar parts that rode jauntily over a percolating second-line groove supplied by pianist James Booker, bassist George Davis, and drummer Robert French that came decorated with four horns.

"My greatest recording experiences came when I went with Imperial," said Earl. "Dave Bartholomew, who was the producer there, he gave me a free hand to do what I needed to do, whatever I wanted to do musically. I did just about what I wanted." Among King's other Imperial triumphs were 1962's hilarious Trick Bag and its charting flip Always A First Time. Come On found its way to Jimi Hendrix, who revisited the anthem on his 'Electric Ladyland' LP in 1968.

Although King wrote early '60s hits for Lee Dorsey, Willie Tee, and Fats Domino, a 1963 jaunt to Motown amounted to nothing tangible, and his promising '72 LP for Allen Toussaint was shelved. A trio of fine albums for New Orleans-based Black Top Records revitalized his performing career and had him touring from the mid-'80s on. Earl Silas Johnson IV died April 17, 2003 and was honored with a full traditional jazz funeral procession that wound through the streets of his lifelong hometown. It was a ceremony fit for a king.

Bill Dahl
Chicago, Illinois

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