Robert Pete Williams Robert Pete Williams (CD)

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Réf. de l’article: CD803492
Poids en kg: 0.107

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(1971 'Ahura Mazda') (51:09/11) Neuausgabe der seltenen LP. Beeindruckendes Werk von einem...plus

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Robert Pete Williams: Robert Pete Williams (CD)

(1971 'Ahura Mazda') (51:09/11) Neuausgabe der seltenen LP. Beeindruckendes Werk von einem der faszinierendsten Countryblues-Musiker seiner Generation / re-issue of once hard-to-find LP record. Fascinating album by one of the most original country blues guitar players of his generation.

Propriétés de l'article: Robert Pete Williams: Robert Pete Williams (CD)

Interpret: Robert Pete Williams
Titre de l'album: Robert Pete Williams (CD)
Label FAT POSSUM
Genre Blues
Artikelart CD
EAN: 0045778034925
Poids en kg: 0.107

Williams, Robert Pete - Robert Pete Williams (CD) CD 1
01	Farm Blues	Robert Pete Williams
02	Goodbye Slim Hana	Robert Pete Williams
03	Rub Me Until My Love Comes Down	Robert Pete Williams
04	Freight Train Blues	Robert Pete Williams
05	Got Me Way Down Here	Robert Pete Williams
06	Matchbox Blues	Robert Pete Williams
07	Railroad Blues	Robert Pete Williams
08	Tombstone Blues	Robert Pete Williams
09	Sweep My Floor	Robert Pete Williams
10	You Used to Be a Sweet Cover Shaker But You Ain't No More	Robert Pete Williams
11	Vietnam Blues	Robert Pete Williams

Robert Pete Williams This largely instrumental workout with spoken verses gives an indication... plus

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"Robert Pete Williams"

Robert Pete Williams

This largely instrumental workout with spoken verses gives an indication of just one style of playing by Robert Pete Williams, known for his wide range of self-composed or cleverly adapted story songs, a man Harry Oster called "an innovative artist, raw and spon- taneous, as close to pure folk tradition as anyone of his generation" and who musicologist David Evans told me was, "a genius in my estimation." This appar- ently improvised song based on a number of lines about a wrong-doing woman was recorded at the Louisiana State Penitentiary at Angola, one of a num- ber of recordings that persuaded Harry Oster he had discovered a man of rare talent there. Born into a sharecropping family in Zachary in 1914, Robert Williams moved to Baker and Scotlandville by the 1930s, doing farmwork and hauling lumber. When someone sold him a guitar cheaply he studied recordings by Blind Lemon Jefferson, admiring his speed, flexibility and range, and Peetie Wheatstraw. Soon, he said, "White folks started having me to play at their parties. I got to rappin' good with the guitar. They used to call me [after] Peetie Wheatstraw because I could play all his tunes." The newly-dubbed Robert 'Pete' also learned from a number of local players from the Baton Rouge area – his brother, two sisters, his uncle Simon Carney, and especially two older men, Frank and Robert Meddy – whose music was never recorded and is now lost to us. Robert Pete described playing at house parties and all night fish fries as part of a lost community of musicians that included Henry Gaines, Lacey Collins, Solomon Bradd, Dan Jackson, Walker Green, Willie Hudson, and Silas Hogan. Musically, Williams seems to have changed his style in the 1940s, "when I see where I could find more notes on a guitar."...

© Bear Family Records
Extract from: Various Artists - Blues Kings Of Baton Rouge (2-CD) - BCD17512
https://www.bear-family.de/various-bear-family-records-blues-kings-of-baton-rouge-2-cd.html

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