Junior Wells Southside Blues Jam (CD)

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Réf. de l’article: CDDE628
Poids en kg: 0.1

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(2014/Delmark) 15 tracks. His 1969/70 album plus 7 bonus tracks. 16 page booklet with a new 2014...plus

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Junior Wells: Southside Blues Jam (CD)

(2014/Delmark) 15 tracks.
His 1969/70 album plus 7 bonus tracks. 16 page booklet with a new 2014 note by producer Bob Koester and many never-before-seen photos enclosed.

This studio album captures what a listener would hear any Monday night at Theresa's Blues Bar (now defunct) at 48th and Indiana on Chicago's south side. The Blue Monday regulars including Buddy Guy are joined by the late Otis Spann, the greatest blues pianist of his generation making his last studio appearance and to whom this album is respectfully dedicated by Junior, the musicians and the Delmark staff. 16-page booklet with a new 2014 note by producer Bob Koester and many never-before-seen photos enclosed.

Propriétés de l'article: Junior Wells: Southside Blues Jam (CD)

Interpret: Junior Wells
Titre de l'album: Southside Blues Jam (CD)
Label DELMARK
Genre Blues
Année de publication 2014
Preiscode VCD3
Artikelart CD
EAN: 0038153662820
Poids en kg: 0.1

Wells, Junior - Southside Blues Jam (CD) CD 1
01	Stop Breaking Down	Junior Wells
02	I Could Have Had Religion	Junior Wells
03	Just Make Love To me	Junior Wells
04	Lend Me Your Love	Junior Wells
05	Long Distance call	Junior Wells
06	Blues For Major Daley	Junior Wells
07	In My Younger Days	Junior Wells
08	Trouble Don't Last	Junior Wells
09	It's Too Late brother	Junior Wells
10	Warmin' Up	Junior Wells
11	Love Me baby	Junior Wells
12	I Could Have Had Religion (alt)	Junior Wells
13	ock me	Junior Wells
14	Lexington Movies	Junior Wells
15	Got To Play The Blues	Junior Wells

Junior Wells Strutting across the stage, cocksure like the blues' answer to James Brown,... plus

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"Junior Wells"

Junior Wells

Strutting across the stage, cocksure like the blues' answer to James Brown, Junior Wells owned one of the most dynamic voices in Chicago blues. He was as confident belting brassy soul as he was doing lowdown blues, his wide-toned amplified harmonica excursions always compelling. Before joining forces with Buddy Guy, Junior teamed up with light-fingered guitar master Earl Hooker at Mel London's Chief and Profile Records. It was a match made in blues heaven

Amos Wells Blakemore was born December 9, 1934 in West Memphis, Arkansas. He found a kindred spirit while growing up on his family's farm. "His name was Junior Parker," said the late Wells. "We was raised up together, and he was playing the harmonica. I said to myself, if he could do it, I could too." But the bright lights up north beckoned. "I came to Chicago in 1941," he said. "My mother, she was already in Chicago.

"When I got to Chicago, I met all the older musicians--blues singers, I should say--and they took up so much time with me. Like Muddy Waters, Big Maceo, Tampa Red, Johnny Jones, Sunnyland Slim, Big Bill Broonzy, the original Sonny Boy (John Lee Williamson), and the late Rice Miller. But the late Rice Miller was the thing that set my soul on fire with the harmonica." The fun-loving teen hooked up with guitar-wielding brothers Louis and David Myers in 1950; along with drummer Fred Below, they formed a band called the Aces.

"Me and the Aces, we go way back as kids," Wells said. "I was living at 22^nd and Prairie, and they came over to some friends of theirs across the street at a house party. The people that had the house party came over and asked me to come over,” he said. “So I went over, and they asked me, do I want to sit in and jam with 'em? So we started to jamming, and it came out pretty good. Then after that, we decided maybe we would try to do some things together. We started doing house parties and stuff like that. The first little gig at a club we had, we went in there and did a thing there for three nights. We was making like $12. That's for the whole group."

Wells briefly joined Muddy Waters' combo in 1952, replacing Little Walter, before making his solo recording debut the next year with a romping Cut That Out for Leonard Allen's States label (he encored with his first version of Hoodoo Man). After four States singles in all and then a lengthy hiatus, Junior joined London's fledgling label setup in 1957, waxing Two-Headed Woman and I Could Cry for Chief. A '59 date for Profile resulted in the national hit Little By Little (I'm Losing You).

"Mel London and Willie Dixon was the ones that was doing the singing on it. They're backing me up. I thought it was a tremendous thing, because I didn't think it was hittin' on too much when we first started off to doin' it," said Junior. "But after I listened to it when they played it back to me, it was great."

A talented composer, savvy producer, and commercially astute label boss, the Mississippi-born London wrote Wells' sassy signature song Messin' With The Kid, cut October 17, 1960 at Chicago's Universal Recording. Its killer instrumental hook, inserted at the end of most choruses, was played by impeccable lead guitarist Earl Hooker. He was joined in the band by saxists Jarrett Gibson and Donald Hankins, pianist Johnny 'Big Moose' Walker, bassist Jack Myers, and drummer Fred Below (Wells left his harp in his pocket). Hooker did a sublime instrumental version, Rockin' With The Kid, the following year for London's Age imprint.

Bill Dahl
Chicago, Illinois

PLUG IT IN! TURN IT UP!
Electric Blues 1939–2005 – The Definitive Collection!
Volume 3: 1960–1969

Junior Wells on Wikipedia

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