Junior Wells Cut That Out - 1953-1963 Sides (LP, 180g Vinyl)

Aperçu: Cut That Out - 1953-1963 Sides (LP, 180g Vinyl)

Cut That Out - 1953-1963 Sides (LP, 180g Vinyl)

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Réf. de l’article: LPBJ8035
Poids en kg: 0.31

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(Blues Joint) 19 titres, vinyle 180 g Junior Wells était un représentant du blues de Chicago...plus

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Junior Wells: Cut That Out - 1953-1963 Sides (LP, 180g Vinyl)

(Blues Joint) 19 titres, vinyle 180 g

Junior Wells était un représentant du blues de Chicago d'après-guerre. Son harmonica perçant et sa voix soul ont contribué à définir une nouvelle expression du blues.

Cet album comprend 19 titres remasterisés enregistrés en studio, dont une sélection des premiers enregistrements sensationnels de Junior Wells (accompagné par des maîtres tels que Earl Hooker, Muddy Waters, Syl Johnson, Willie Dixon et Otis Spann) entre 1953 et 1963 pour divers labels indépendants tels que States, Profile, Chief et USA Records. Ce LP est un must pour tous les fans de blues de Chicago.

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Propriétés de l'article: Junior Wells: Cut That Out - 1953-1963 Sides (LP, 180g Vinyl)

Interpret: Junior Wells
Titre de l'album: Cut That Out - 1953-1963 Sides (LP, 180g Vinyl)
Genre Blues
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Poids du vinyle 180g Vinyl
Artikelart LP
Label Blues Joint
EAN: 8436563186240
Poids en kg: 0.31

Wells, Junior - Cut That Out - 1953-1963 Sides (LP, 180g Vinyl) LP 1
01	Cut That Out	Junior Wells
02	Messin' With The Kid	Junior Wells
03	Lovey Dovey, Lovey One	Junior Wells
04	Tomorrow Night	Junior Wells
05	Hoodoo Man	Junior Wells
06	Little By Little (I'm Losing You)	Junior Wells
07	Lord, Lord (Lawdy! Lawdy!)	Junior Wells
08	You Don't Care	Junior Wells
09	She's A Sweet One	Junior Wells
10	So Tired	Junior Wells
11	Two Headed Woman	Junior Wells
12	Come On In This House	Junior Wells
13	Galloping Horses And A Lazy Mule	Junior Wells
14	I'm A Stranger	Junior Wells
15	The Things I'd Do For You	Junior Wells
16	It Hurts Me Too	Junior Wells
17	I Could Cry [ Version]	Junior Wells
18	I'll Get You Too	Junior Wells
19	One Day (Every Goodbye Ain't Gone)	Junior Wells

Junior Wells Strutting across the stage, cocksure like the blues' answer to James Brown,... plus

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"Junior Wells"

Junior Wells

Strutting across the stage, cocksure like the blues' answer to James Brown, Junior Wells owned one of the most dynamic voices in Chicago blues. He was as confident belting brassy soul as he was doing lowdown blues, his wide-toned amplified harmonica excursions always compelling. Before joining forces with Buddy Guy, Junior teamed up with light-fingered guitar master Earl Hooker at Mel London's Chief and Profile Records. It was a match made in blues heaven

Amos Wells Blakemore was born December 9, 1934 in West Memphis, Arkansas. He found a kindred spirit while growing up on his family's farm. "His name was Junior Parker," said the late Wells. "We was raised up together, and he was playing the harmonica. I said to myself, if he could do it, I could too." But the bright lights up north beckoned. "I came to Chicago in 1941," he said. "My mother, she was already in Chicago.

"When I got to Chicago, I met all the older musicians--blues singers, I should say--and they took up so much time with me. Like Muddy Waters, Big Maceo, Tampa Red, Johnny Jones, Sunnyland Slim, Big Bill Broonzy, the original Sonny Boy (John Lee Williamson), and the late Rice Miller. But the late Rice Miller was the thing that set my soul on fire with the harmonica." The fun-loving teen hooked up with guitar-wielding brothers Louis and David Myers in 1950; along with drummer Fred Below, they formed a band called the Aces.

"Me and the Aces, we go way back as kids," Wells said. "I was living at 22^nd and Prairie, and they came over to some friends of theirs across the street at a house party. The people that had the house party came over and asked me to come over,” he said. “So I went over, and they asked me, do I want to sit in and jam with 'em? So we started to jamming, and it came out pretty good. Then after that, we decided maybe we would try to do some things together. We started doing house parties and stuff like that. The first little gig at a club we had, we went in there and did a thing there for three nights. We was making like $12. That's for the whole group."

Wells briefly joined Muddy Waters' combo in 1952, replacing Little Walter, before making his solo recording debut the next year with a romping Cut That Out for Leonard Allen's States label (he encored with his first version of Hoodoo Man). After four States singles in all and then a lengthy hiatus, Junior joined London's fledgling label setup in 1957, waxing Two-Headed Woman and I Could Cry for Chief. A '59 date for Profile resulted in the national hit Little By Little (I'm Losing You).

"Mel London and Willie Dixon was the ones that was doing the singing on it. They're backing me up. I thought it was a tremendous thing, because I didn't think it was hittin' on too much when we first started off to doin' it," said Junior. "But after I listened to it when they played it back to me, it was great."

A talented composer, savvy producer, and commercially astute label boss, the Mississippi-born London wrote Wells' sassy signature song Messin' With The Kid, cut October 17, 1960 at Chicago's Universal Recording. Its killer instrumental hook, inserted at the end of most choruses, was played by impeccable lead guitarist Earl Hooker. He was joined in the band by saxists Jarrett Gibson and Donald Hankins, pianist Johnny 'Big Moose' Walker, bassist Jack Myers, and drummer Fred Below (Wells left his harp in his pocket). Hooker did a sublime instrumental version, Rockin' With The Kid, the following year for London's Age imprint.

Bill Dahl
Chicago, Illinois

PLUG IT IN! TURN IT UP!
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Junior Wells on Wikipedia

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