FOUR TUNES Wrapped Up In A Dream 1946-1958 (2-CD)
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- Réf. de l’article:CDJAS553
- Poids en kg: 0.12
FOUR TUNES: Wrapped Up In A Dream 1946-1958 (2-CD)
Propriétés de l'article:FOUR TUNES: Wrapped Up In A Dream 1946-1958 (2-CD)
Interpret: FOUR TUNES
Titre de l'album: Wrapped Up In A Dream 1946-1958 (2-CD)
Label JASMINE
- Preiscode JAS
Genre R&B, Soul
Artikelart CD
EAN: 0604988055320
- Poids en kg: 0.12
| Four Tunes, The - Wrapped Up In A Dream 1946-1958 (2-CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | Where Is My Love | FOUR TUNES | ||
| 02 | Wrapped Up In A Dream | FOUR TUNES | ||
| 03 | I Found Love When I Found You | FOUR TUNES | ||
| 04 | All My Dreams | FOUR TUNES | ||
| 05 | Little Jane | FOUR TUNES | ||
| 06 | Someday | FOUR TUNES | ||
| 07 | Confess | FOUR TUNES | ||
| 08 | Karen Lynn | FOUR TUNES | ||
| 09 | Take My Lonely Heart | FOUR TUNES | ||
| 10 | You're Heartless | FOUR TUNES | ||
| 11 | Careless Love | FOUR TUNES | ||
| 12 | Lonesome Road | FOUR TUNES | ||
| 13 | There Goes My Heart | FOUR TUNES | ||
| 14 | Kentucky Baby | FOUR TUNES | ||
| 15 | Old Fashioned Love | FOUR TUNES | ||
| 16 | Carry Me Back To The Lone Prairie | FOUR TUNES | ||
| 17 | May That Day Never Come | FOUR TUNES | ||
| 18 | The Last Round Up | FOUR TUNES | ||
| 19 | The Prisoners Song | FOUR TUNES | ||
| 20 | I Married An Angel | FOUR TUNES | ||
| 21 | My Buddy | FOUR TUNES | ||
| 22 | I'll See You In My Dreams | FOUR TUNES | ||
| 23 | Come What May | FOUR TUNES | ||
| 24 | The Greatest Song I Ever Heard | FOUR TUNES | ||
| 25 | Lets Give Love Another Chance | FOUR TUNES | ||
| 26 | Don't Get Around Much Anymore | FOUR TUNES | ||
| 27 | Marie | FOUR TUNES | ||
| 28 | I Gambled With Love | FOUR TUNES | ||
| Four Tunes, The - Wrapped Up In A Dream 1946-1958 (2-CD) CD 2 | ||||
|---|---|---|---|---|
| 01 | I Understand | FOUR TUNES | ||
| 02 | Sugar Lump | FOUR TUNES | ||
| 03 | Do Do Do It Again | FOUR TUNES | ||
| 04 | My Wild Irish Rose | FOUR TUNES | ||
| 05 | The Greatest Feeling In The World | FOUR TUNES | ||
| 06 | Lonesome | FOUR TUNES | ||
| 07 | L'Amour Tourjours L'Amour | FOUR TUNES | ||
| 08 | Don't Cry Darling | FOUR TUNES | ||
| 09 | I Sold My Heart To The Junkman | FOUR TUNES | ||
| 10 | Let Me Go Lover | FOUR TUNES | ||
| 11 | Good News | FOUR TUNES | ||
| 12 | I Hope | FOUR TUNES | ||
| 13 | I Close My Eyes | FOUR TUNES | ||
| 14 | Time Out For Tears | FOUR TUNES | ||
| 15 | Tired Of Waiting | FOUR TUNES | ||
| 16 | Brooklyn Bridge | FOUR TUNES | ||
| 17 | Three Little Chickens | FOUR TUNES | ||
| 18 | You Are My Love | FOUR TUNES | ||
| 19 | At The Steamboat River Ball | FOUR TUNES | ||
| 20 | Rock & Roll Call | FOUR TUNES | ||
| 21 | Our Love | FOUR TUNES | ||
| 22 | I Gotta Go | FOUR TUNES | ||
| 23 | Hold Me Closer | FOUR TUNES | ||
| 24 | Dancing With Tears In My Eyes | FOUR TUNES | ||
| 25 | Far Away Places | FOUR TUNES | ||
| 26 | Ballad Of Jeams Dean | FOUR TUNES | ||
| 27 | Sayonara | FOUR TUNES | ||
| 28 | A Little On The Lonely Side | FOUR TUNES | ||
| 29 | Cool Water | FOUR TUNES | ||
The Four Tunes
The Four Tunes with Sid Bass Orch.
Marie
Ending their major label affiliation with RCA Victor rejuvenated The Four Tunes as hitmakers. Jerry Blaine's Jubilee Records was in the process of revitalizing the chart fortunes of their flagship group, The Orioles, with Crying In the Chapel (see Track Two), and Jubilee found the right formula to accomplish the same thing with their new acquisition.
Little else had changed for the quartet, which had settled into a rewarding itinerary of bookings at top clubs up and down the Eastern seaboard as well as further afield. The group had moved over to RCA in 1949 after making their mark with Deek Watson as The Brown Dots, then on their own at Manor Records as The Sentimentalists and from 1947 as The Four Tunes. There hadn't been any personnel changes along the way; tenors Jimmie Nabbie and Danny Owens, baritone/guitarist Pat Best, and bass Jimmy Gordon had been together since the mid-'40s, their impeccably honed sound slowly fading from prominence.
Jubilee found a way to make them relevant again. Marie, their first single for their new label (cut September 11, 1953), would seem an odd choice for a career resurgence. Written by Tin Pan Alley immortal Irving Berlin, it had been a 1929 hit for Rudy Vallee and crashed the pop charts again in '37 via Tommy Dorsey's revival. Arranger Sid Bass souped up the Tunes' rendition, taken at a breakneck pace with Nabbie leading his pals through some wild vocal gymnastics that grabbed enough R&B coin to earn a #2 showing on 'Billboard's 'Juke Box' listings late in the year and sent it to #13 pop as well (the flip I Gambled With Love was straight pop).
Decca tried to counter by digging out vintage versions of Marieby The Mills Brothers and Louis Armstrong, but the gambit didn't slow the Tunes' singular treatment down. Its enduring appeal was illustrated when a similar rendition by an Irish group, The Bachelors, was a pop hit on both sides of the Atlantic in 1965.
That comeback hit wasn't a fluke. The Tunes did even better the next year with the pure pop ballad I Understand Just How You Feel (written and fronted by Best), soaring to #6 pop and #7 R&B. They stuck around Jubilee into 1957, keeping their releases primarily pop-oriented, without scoring a third smash. By then, they were a Las Vegas institution (Best and Gordon kept the act going until the late '90s).
Various - Street Corner Symphonies Vol.05, 1953 The Complete Story Of Doo Wop
Read more at: https://www.bear-family.de/various-street-corner-symphonies-vol.05-1953-the-complete-story-of-doo-wop.html
Copyright © Bear Family Records
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