The Danleers: One Summer Night (CD)
Or peut-être les connaissez-vous sous le nom de Dandleers, c'est du moins ainsi que l'étiquette lue sur leur première sortie sur le minuscule label Mercury-distribué Amp 3. Véritable merveille d'un seul coup, le groupe a marqué des points lors de sa première tentative, l'atmosphérique One Summer Night, un grand succès de 1958, et n'a pas été entendu pour le reste de sa carrière relativement courte, malgré un son doo doo wop solide. Ce CD de 25 titres réédite l'intégralité de leur carrière : quatre faces pour Amp 3 (une inédite), 9 faces pour Mercury (3 inédites), 6 faces pour Epic (2 inédites), 2 pour Everest et 4 pour Smash.,
Propriétés de l'article: The Danleers: One Summer Night (CD)
|Danleers, The - One Summer Night (CD) CD 1|
|01||One Summer Night/My Flaming Heart|
|02||Prelude To Love|
|03||Wheelin' And A-Dealin'|
|04||A Picture Of You|
|05||I Really Love You|
|07||Whole Mess Of Trouble|
|08||Just Look Around|
|09||I Can't Sleep|
|11||Half A Block From An Angel|
|12||If You Don't Care|
|14||I'll Always Believe In You|
|15||The Light Of Love|
|16||I'll Be Forever Yours|
|17||I'm Looking Around|
|19||The Angels Sent You|
|20||Were You There|
|22||Where Is Love|
|23||Think It Over Baby|
|24||Love, You Better Leave Me Alone|
If You Don't Care
The Danleers posted one of 1958's biggest doo-wop hits with their shimmering One Summer Night (it's prominent on that year's 'Street Corner Symphonies' disc). Jimmy Weston's soaring lead tenor sold their manager Danny Webb's composition beautifully. First out on Bill Lasley's Amp 3 logo, it soon attracted the interest of Mercury Records. That summer, the group sat pretty at #4 R&B and #7 pop.
Mercury didn't do much to promote the Brooklyn-based Danleers' encores. I Really Love You b/w My Flaming Heart went nowhere during the summer of '58. Ditto Prelude To Love b/w A Picture Of You late that year and Your Love b/w I Can't Sleep the next March. The first Danleers went their separate ways in mid-'59.
Webb knew Weston's lead tenor was special. He teamed Jimmy with three members of another group he managed that briefly recorded for MGM, The Webtones (like The Danleers, Danny named them after himself). First tenor Louis Williams, baritone Terry Wilson, and bass Frank Clemens were joined by second tenor Doug Ebron, Weston's brother-in-law. Webb got the retooled Danleers a contract with Columbia's Epic imprint, hardly a bastion of rock and roll. The group doesn't seem to have been a high priority there: the A-side of their first single was cut on November 9, 1959, while its flip didn't get done until March 1.
Waxed at Columbia's New York studios with nine strings and French horns on the premises under arranger Chuck Sagle (so were R&B stalwarts Bert Keyes on keys, bassist Doles Dickens, and drummer Sticks Evans), the majestic ballad If You Don't Care was co-penned by Webb and restored Weston to the spotlight. Epic pressed it up with the B-side (I Live) Half A Block From An Angel, but it didn't change The Danleers' luck in March of '60. Epic only gave them one more try with I'll Always Believe In You b/w Little Lover that fall before cutting The Danleers loose.
In 1961, the group turned up with a single on Everest. A pair of '64 releases on Mercury's Smash subsidiary brought them full circle without renewing their hitmaking mojo. Webb didn't give up, producing two mid-'60s Danleers singles for the tiny Le-Mans label. Neither a Weston-penned Baby You've Got It b/w The Truth Hurts (arranged by New York guitarist Leroy Kirkland) nor I'm Sorry b/w This Thing Called Love copped the checkered flag so prominent on Le-Mans' logo.
Various - Street Corner Symphonies 1960 Vol.12
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Doo Wop from the street corners of Brooklyn
What a nice compilation featuring their atmospheric ballads and some nice uptempo tunes, they have recorded in the late 1950s and early 1960s! And believe me - you'll never get tired of 'One Summer Night', in my opinion one of the greatest vocal group masterpieces ever!
Immédiatement disponible à l'expédition, Délai de livraison env. 1 à 3 jours ouvrés.