Betty Wright Betty Wright Live (LP, 180g Yellow Vinyl, Ltd & Numbered)
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- Réf. de l’article:LPMOV2766
- Poids en kg: 0.3
Betty Wright: Betty Wright Live (LP, 180g Yellow Vinyl, Ltd & Numbered)
Betty Wright (nom original Bessie Regina Norris) est devenue célèbre dans les années 1970 avec des succès comme "Clean Up Woman", "Lovin' Is Really My Game" et "Tonight Is the Night".
Elle était une interprète hors pair, et cet album live témoigne de la vitalité de Wright en tant que chanteuse. En plus des merveilleuses interprétations de ses propres succès, elle sonne aussi incroyablement bien sur la reprise de "A Song for You" de Leon Russell.
L'album a atteint son apogée à la 63e place du palmarès canadien des albums.
Cette édition étendue contient deux titres bonus qui ne sont pas disponibles sur l'album original. Betty Wright est décédée le 10 mai 2020 à l'âge de 66 ans.
Disponible pour la première fois sur vinyle couleur dans une édition limitée à 1500 exemplaires numérotés individuellement sur vinyle jaune translucide.
Propriétés de l'article:Betty Wright: Betty Wright Live (LP, 180g Yellow Vinyl, Ltd & Numbered)
Interpret: Betty Wright
Titre de l'album: Betty Wright Live (LP, 180g Yellow Vinyl, Ltd & Numbered)
Label MUSIC ON VINYL
Genre Soul
- Geschwindigkeit 33 U/min
- Vinyl record size LP (12 Inch)
- Record Grading Mint (M)
- Sleeve Grading Mint (M)
- Poids du vinyle 180g Vinyl
- Edition 2 Numbered Edition
Artikelart LP
EAN: 8718026025113
- Poids en kg: 0.3
| Wright, Betty - Betty Wright Live (LP, 180g Yellow Vinyl, Ltd & Numbered) LP 1 | ||||
|---|---|---|---|---|
| 01 | Lovin' Is Really My Game | Betty Wright | ||
| 02 | Tonight Is The Night | Betty Wright | ||
| 03 | A Song For You | Betty Wright | ||
| 04 | Tonight Is The Night (Original 1974 Album Version) | Betty Wright | ||
| 05 | Clean Up Woman Medley Pillow Talk, You Got The Love, Mr Melody, Midnight At The Oasis, Me And Mrs Jones, You Are My Sunshine, Let's Get Married Today | Betty Wright | ||
| 06 | You Can't See For Lookin' | Betty Wright | ||
| 07 | Where Is The Love | Betty Wright | ||
| 08 | Clean Up Woman (7” Version) | Betty Wright | ||
Betty Wright
Girls Can't Do What The Guys Do
Betty Wright
Girls Can't Do What The Guys Do
So young when she had her first hit that she should have had a babysitter in the studio, Betty Wright nevertheless had experience behind a mic even then.
The Miami native, born December 21, 1953, had been reared on gospel, singing in a family group, The Echoes Of Joy, when she was three. Wright went secular as a happy result of winning a free record on a call-in radio contest. When she showed up at Johnny's Record Shop to pick up her 45, she happened to sing along as Billy Stewart's Summertime spun, her mesmerizing pipes catching the ear of the founders of Miami's Deep City Records. Betty sure didn't sound 13 on her Deep City debut, Good Lovin', but she was.
Deep City co-founder Willie Clarke and his prolific pal Clarence Reid co-wrote Betty's next single, Girls Can't Do What The Guys Do. Deep City was about to be deep-sixed, and Clarke took Wright to Henry Stone, long Miami's preeminent R&B label owner. The song was produced by Miami singer Steve Alaimo, a former regular on Dick Clark's mid-'60s TV show 'Where The Action Is,' and Brad Shapiro, who had started out as the bassist in Alaimo's first band, The Redcoats, and arranged by Ray Love. Betty's alluring Girls Can't Do What The Guys Do came out on Alston Records, one of Stone's many imprints. Despite a Judy White cover on Buddah, Betty's Atlantic-distributed Alston original was the hit, peaking at #15 R&B and #33 pop.
Alaimo and Shapiro produced Wright's debut album for Atco, 'My First Time Around' (the studio band included guitarist Joey Murcia and future Allman Brothers drummer Butch Trucks). Steve and Betty also cut a delicious '69 duet for Atco,I'm Thankful. "I was producing her. I was still recording at that time, so we took a shot,"says Steve."It was great. We had a lot of fun."
Betty really started having some fun when her fabulously infectious Clean Up Woman, another Clarke/Reid copyright, made her a major R&B star as it went gold in 1971 for Alston (Willie 'Little Beaver' Hale was its fabulously fluid guitarist). She stayed on Alston to the end of the decade, racking up a stack of hits: Baby Sitter (1972), Let Me Be Your Lovemaker (1973), Secretary (1974), Where Is The Love (1975), and Tonight Is The Night Pt. 1 (Rap) (1978) being the biggest. Wright later founded her own Ms. B. logo and scoring a solid seller in 1988 with No Pain, No Gain.
- Bill Dahl -
Various - Sweet Soul Music
Various - Sweet Soul Music 29 Scorching Classics From 1968
Read more at: https://www.bear-family.de/various-sweet-soul-music-29-scorching-classics-from-1968.html
Copyright © Bear Family Records
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