Webb Pierce The Wondering Boy - Live (CD)

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- Réf. de l’article:CD124521
- Poids en kg: 0.1
Webb Pierce: The Wondering Boy - Live (CD)
Propriétés de l'article:Webb Pierce: The Wondering Boy - Live (CD)
Interpret: Webb Pierce
Titre de l'album: The Wondering Boy - Live (CD)
Genre Country
Label FAT BOY RECORDS
Artikelart CD
EAN: 5026310124521
- Poids en kg: 0.1
| Pierce, Webb - The Wondering Boy - Live (CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | I'm Walking The Dog | Webb Pierce | ||
| 02 | Slowly | Webb Pierce | ||
| 03 | It's Been So Long | Webb Pierce | ||
| 04 | There Stands The Grass | Webb Pierce | ||
| 05 | Even Tho' | Webb Pierce | ||
| 06 | I'm Gonna Fall Out Of Love With You | Webb Pierce | ||
| 07 | In The Jailhouse Now | Webb Pierce | ||
| 08 | Wondering | Webb Pierce | ||
| 09 | You Can't Be True | Webb Pierce | ||
| 10 | I'm Not In Love With You | Webb Pierce | ||
Webb Pierce
Although the original pressings credited Mel Tillis, this song was adapted from a song of the same name by Tommy Collins, who'd written and performed You Better Not Do Thatand written Faron Young's hit If You Ain't Loving, You Ain't Living(see our 1954 volume for both). Collins was a troubled guy who never seemed able to make the one thousand percent commitment that success seemed to require. In 1959, when this was recorded, he was still on Capitol but hadn't seen a hit for four years. He was studying to become a preacher when Mel Tillis rewrote his 1955 single No Love Have Iinto one of the biggest hits of 1960. Collins' gentle waltz tempo was replaced by the same 4/4 rocking beat that Webb had perfected on Tillis' I Ain't Never(see 1959). In Tillis' hands, Collins' hillbilly lament became a country power ballad. The chorus was front-and-center and the growling six-string bass drove the performance. The original chorus, "I'd trade my life for a beggar if he had someone close by his side/Sometimes I can't keep from crying, crying 'cause no love have I,"was more self-eviscerating than Tillis's pop-ish rewrite. In fact, there was little similarity between Collins' original and Pierce's record, but just enough for Collins' publisher, Capitol's Ken Nelson, to make a fuss. When Buck Owens recorded No Love Have Ias part of his Collins tribute LP in 1963, he used the original words and original waltz time (Buck had been a session guitarist on Collins' earliest records), and when Collins re-recorded No Love Have Ifor Columbia one year later, he set his original lyrics set to a walking 4/4 rhythm. Later, of course, Collins became a songwriter in residence for Merle Haggard.

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