The Nighthawks Established 1972 (CD)
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- Réf. de l’article:CDVTNH01
- Poids en kg: 0.107
The Nighthawks: Established 1972 (CD)
The Nighthawks, les légendaires guerriers de rue du blues et de la musique roots de Washington DC, célèbrent leur 50e anniversaire avec un tout nouvel album, 'Established 1972'.
Les Nighthawks sont des musiciens de blues et de musique roots. Produit par les Nighthawks et leur compagnon de longue date David Earl, ils ont profité de l'accalmie de la pandémie pour s'isoler dans les studios Severn Sound d'Earl à Annapolis, Maryland, et produire quatorze nouveaux morceaux dans la grande tradition des Nighthawks. Du matériel rock, qui vient du cœur et qui s'inscrit pleinement dans le genre de la musique roots américaine, tel est le fantastique résultat de cette période.
Propriétés de l'article:The Nighthawks: Established 1972 (CD)
Interpret: The Nighthawks
Titre de l'album: Established 1972 (CD)
Genre Blues
Label VIZZTONE
Artikelart CD
EAN: 0634457091696
- Poids en kg: 0.107
| Nighthawks, The - Established 1972 (CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | Nobody | The Nighthawks | ||
| 02 | You Seem Distant | The Nighthawks | ||
| 03 | I'll Come Running Back to You | The Nighthawks | ||
| 04 | Coming and Going | The Nighthawks | ||
| 05 | Take It Slow | The Nighthawks | ||
| 06 | Johnny Too Bad | The Nighthawks | ||
| 07 | Ask Me Nice | The Nighthawks | ||
| 08 | West Memphis | The Nighthawks | ||
| 09 | Ain't That Lovin' You | The Nighthawks | ||
| 10 | Gas Station Chicken | The Nighthawks | ||
| 11 | Houseband | The Nighthawks | ||
| 12 | Fuss and Fight | The Nighthawks | ||
| 13 | Run Red Run | The Nighthawks | ||
| 14 | Driving | The Nighthawks | ||
The Nighthawks (Robert Nighthawk)
Until his disciple Earl Hooker came to prominence, it's unlikely any blues slide guitarist developed a cleaner, lighter, more melodic touch than Robert Nighthawk. He started out recording in the pre-war era as Robert Lee McCoy, but that wasn't his real name either. He was born Robert Lee McCollum (or McCullum) in Helena, Arkansas on November 30, 1909.
Robert got started playing guitar late, at approximately 21. His first instrument was harmonica before his cousin, Houston Stackhouse, tutored him on guitar. But he was a fast learner. Bluebird signed him in 1937; he made his recording debut in Aurora, Illinois, on the same May day as Sonny Boy Williamson. By then, he'd changed his handle to McCoy after fleeing the south following a murky shooting incident that compelled him to take up residence in St. Louis.
One of McCoy's songs that day was called Prowling Night-Hawk, the inspiration for his most enduring alias. There were a couple more Bluebird dates and a 1940 Decca session as Peetie's Boy before the war upended recording activities. Nomadic Robert ended up back in Helena for a time, broadcasting his pungent blues over KFFA for Bright Star Flour in direct competition with the second Sonny Boy Williamson's 'King Biscuit Time' program.
Muddy Waters recommended his old friend Robert, who had by this time gone electric, to Leonard Chess. Nighthawk cut for him in late 1948 and again on July 12, 1949, when the day's itinerary included the chilling Black Angel Blues, pianist Ernest Lane and bassist Willie Dixon providing splendidly sparse accompaniment. The song harked back to 1930 and rough-edged classic blues singer Lucille Bogan (though Nighthawk was probably more familiar with fellow slide master Tampa Red’s 1934 version), and in 1956 B.B. King would score a solid R&B hit with it as Sweet Little Angel. Aristocrat—the label Leonard Chess was associated with prior to his own self-named firm—issued it as by The Nighthawks. The other side, Annie Lee Blues, made a chart dent—Robert's only fleeting moment in the national spotlight.
Bill Dahl
Chicago, Illinois
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