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Robert Nighthawk Complete Recorded Works

Complete Recorded Works
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  • 0.107
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(1937-40) (75:52/25)plus

Robert Nighthawk: Complete Recorded Works

(1937-40) (75:52/25)

Propriétés de l'article:Robert Nighthawk: Complete Recorded Works

  • Interpret: Robert Nighthawk

  • Titre de l'album: Complete Recorded Works

  • Label WOLF

  • Genre Blues

  • Artikelart CD

  • EAN: 0799582400222

  • Poids en kg: 0.107
Nighthawk, Robert - Complete Recorded Works CD 1
01Tough LuckRobert Nighthawk
02Lonesome WorldRobert Nighthawk
03G-ManRobert Nighthawk
04Don't Mistreat Your WomanRobert Nighthawk
05Prowling Night-HawkRobert Nighthawk
06Sweet Pepper MamaRobert Nighthawk
07My Friend Has Forsaken MeRobert Nighthawk
08Mean Black CatRobert Nighthawk
09BrickyardRobert Nighthawk
10Mamie LeeRobert Nighthawk
11Take It easy, BabyRobert Nighthawk
12I Have Spent My BonusRobert Nighthawk
13CNARobert Nighthawk
14Every Day And NightRobert Nighthawk
15Ol' MoseRobert Nighthawk
16You're All I've Got To Live ForRobert Nighthawk
17She's Got What It TakesRobert Nighthawk
18Next Door NeighborRobert Nighthawk
19Big Apple BluesRobert Nighthawk
20Freight train BluesRobert Nighthawk
21Good Gamblin'Robert Nighthawk
22Gonna Kept It For My DadfdyRobert Nighthawk
23Never Leave MeRobert Nighthawk
24Mama Don't Allow Me To Stay Out All Night LongRobert Nighthawk
25Friar's Point BluesRobert Nighthawk
The Nighthawks (Robert Nighthawk) Until his disciple Earl Hooker came to prominence, it's... plus
"Robert Nighthawk"

The Nighthawks (Robert Nighthawk)

Until his disciple Earl Hooker came to prominence, it's unlikely any blues slide guitarist developed a cleaner, lighter, more melodic touch than Robert Nighthawk. He started out recording in the pre-war era as Robert Lee McCoy, but that wasn't his real name either. He was born Robert Lee McCollum (or McCullum) in Helena, Arkansas on November 30, 1909.

Robert got started playing guitar late, at approximately 21. His first instrument was harmonica before his cousin, Houston Stackhouse, tutored him on guitar. But he was a fast learner. Bluebird signed him in 1937; he made his recording debut in Aurora, Illinois, on the same May day as Sonny Boy Williamson. By then, he'd changed his handle to McCoy after fleeing the south following a murky shooting incident that compelled him to take up residence in St. Louis.

One of McCoy's songs that day was called Prowling Night-Hawk, the inspiration for his most enduring alias. There were a couple more Bluebird dates and a 1940 Decca session as Peetie's Boy before the war upended recording activities. Nomadic Robert ended up back in Helena for a time, broadcasting his pungent blues over KFFA for Bright Star Flour in direct competition with the second Sonny Boy Williamson's 'King Biscuit Time' program.

Muddy Waters recommended his old friend Robert, who had by this time gone electric, to Leonard Chess. Nighthawk cut for him in late 1948 and again on July 12, 1949, when the day's itinerary included the chilling Black Angel Blues, pianist Ernest Lane and bassist Willie Dixon providing splendidly sparse accompaniment. The song harked back to 1930 and rough-edged classic blues singer Lucille Bogan (though Nighthawk was probably more familiar with fellow slide master Tampa Red’s 1934 version), and in 1956 B.B. King would score a solid R&B hit with it as Sweet Little Angel. Aristocrat—the label Leonard Chess was associated with prior to his own self-named firm—issued it as by The Nighthawks. The other side, Annie Lee Blues, made a chart dent—Robert's only fleeting moment in the national spotlight.

Bill Dahl
Chicago, Illinois

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Electric Blues 1939-2005. - The Definitive Collection!

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