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Merrill Moore Bellyful Of Blue Thunder (CD)

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(Boptone) 28 tracksplus

Merrill Moore: Bellyful Of Blue Thunder (CD)

(Boptone) 28 tracks

Propriétés de l'article:Merrill Moore: Bellyful Of Blue Thunder (CD)

  • Interpret: Merrill Moore

  • Titre de l'album: Bellyful Of Blue Thunder (CD)

  • Genre Rock'n'Roll

  • Artikelart CD

  • Label Boptone

  • EAN: 9770965925052

  • Poids en kg: 0.1
Moore, Merrill - Bellyful Of Blue Thunder (CD) CD 1
01House Of Blue LightsMerrill Moore
02Rock-RockolaMerrill Moore
03Fly Right BoogieMerrill Moore
04Corina CorinaMerrill Moore
05Hard Top RaceMerrill Moore
06Bartender's BluesMerrill Moore
07Tuck Me To Sleep In My Old 'Tucky HomeMerrill Moore
08Red LightMerrill Moore
09Bell Bottom BoogieMerrill Moore
10Big Bug BoogieMerrill Moore
11Barrel House BessieMerrill Moore
12Rock Island LineMerrill Moore
13Nursery Rhyme BluesMerrill Moore
14Doggie House BoogieMerrill Moore
15Buttermilk BabyMerrill Moore
16Ten Ten AMMerrill Moore
17Cow Cow BoogieMerrill Moore
18Sweet Jenny LeeMerrill Moore
19Five Foot Two Eyes Of BlueMerrill Moore
20One Way DoorMerrill Moore
21Down The Road A PieceMerrill Moore
22Gotta Gimme Watcha GotMerrill Moore
23Nola BoogieMerrill Moore
24King Porter StompMerrill Moore
25Yes IndeedMerrill Moore
26She's GoneMerrill Moore
27Snatchin' And Grabbin'Merrill Moore
28Cooing To The Wrong PigeonMerrill Moore
Merrill Moore Red Light When hailed as a rock 'n' roll pioneer, Merrill Moore was usually... plus
"Merrill Moore"

Merrill Moore

Red Light

When hailed as a rock 'n' roll pioneer, Merrill Moore was usually too polite to say that he really didn't care for rock 'n' roll at all. Born on September 25 (or 26th, per his application for Social Security), 1923, in Algona, Iowa, Moore began playing piano on the family farm. Aged 12, he was the pianist for the Cooper Family Gospel Quartet. In 1941, he became a professional musician, joining the Chuck Hall Band on a tour of Midwestern ballrooms. After service in World War II, Moore and his wife, whom he'd met in the gospel quartet, made their way to California. By 1948, they'd settled in San Diego, and he was playing the oceanfront bars. Following an impromptu performance at a musicians' party, Moore was offered a seven-year contract by a local kingpin, Jimmy Kennedy, who brought him to the attention of Capitol Records' A&R man Ken Nelson. After coming to San Diego to catch the band, Nelson offered a contract. Moore played sophisticated boogie woogie and blues, rooted in the jazz and western swing he loved. His favorite artist was Freddie Slack, and his goal was to re-create the big band sound with a small group. The problem was that Moore couldn't tour to support his records because he was locked into Kennedy's clubs. As a result, the records only sold locally. Nelson remained a fan and used Moore on sessions by Skeets McDonald, Sonny James, Wanda Jackson, Faron Young, Merle Travis, and others.

Red Lightwas Merrill Moore's second single, and it was a loose aggregation of blues clichés that made up in panache what it lacked in originality. The listed composers on the record were two Tin Pan Alley veterans, Harold Adamson and Jimmy McHugh, but Capitol got it wrong. The song was written and originally recorded in 1946 by jazz bassist Red Callender and his drummer, Lucky Enois. Moore probably didn't hear Callender's record but had most assuredly heard Roy Milton's 1946 recording for Milton's own label. While most white singers churned out excessively mannered and milder versions of R&B songs, Moore's Red Lightwas more amped up than Callender's original and even gave Milton a run for his money. 'Billboard' liked Moore's record, saying "novelty could pull dee-jay spins."Alas not. Moore recorded for Capitol until 1958, but never left the clubs of San Diego.

And then, some ten years later, he became a legend in a country he'd never thought about. Max Needham, a columnist in Britain's 'Record Mirror,'began a quixotic one-man quest to popularize Merrill Moore. In 1967, he persuaded British Ember Records to license an album of Moore's Capitol recordings, grandiloquently titled 'Belly Full Of Blue-Thunder.' Needham's liner notes made up in hyperbole what they lacked in knowledge. Moore was tracked down and recorded an album for B&C Records (where Needham worked) in 1969. He eventually went to England in 1970. "I was shocked by all the people swarming about me, saying I was some kind of rockabilly pioneer,"he said. "First of all, I didn't know what rockabilly was."Still in San Diego, Moore died on June 14, 2000 (or June 15 per his Social Security file). (For all of Merrill Moore's Capitol recordings, see Bear Family's 2-CD set, 'Boogie My Blues Away', BCD 15505).

Merrill Moore Boogie My Blues Away (2-CD)
Read more at: https://www.bear-family.de/moore-merrill-boogie-my-blues-away-2-cd.html
Copyright © Bear Family Records

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