Louis Jordan Let the Good Times Roll (2-LP)
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- Réf. de l’article: LPVP80802
- Poids en kg: 0.45
Louis Jordan: Let the Good Times Roll (2-LP)
Propriétés de l'article: Louis Jordan: Let the Good Times Roll (2-LP)
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Interpret: Louis Jordan
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Titre de l'album: Let the Good Times Roll (2-LP)
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Genre R&B, Soul
- Geschwindigkeit 33 U/min
- Vinyl record size LP (12 Inch)
- Record Grading Mint (M)
- Sleeve Grading Mint (M)
- Edition 2 Deluxe Edition
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Artikelart LP
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EAN: 8719039005376
- Poids en kg: 0.45
| Jordan, Louis - Let the Good Times Roll (2-LP) LP 1 | ||||
|---|---|---|---|---|
| 01 | I'M GONNA MOVE TO THE OUTSKIRTS OF TOWN | Louis Jordan | ||
| 02 | WHAT'S THE USE OF GETTING SOBER | Louis Jordan | ||
| 03 | FIVE GUYS NAMED MOE | Louis Jordan | ||
| 04 | THAT'LL JUST ABOUT KNOCK ME OUT | Louis Jordan | ||
| 05 | RATION BLUES | Louis Jordan | ||
| 06 | GI JIVE | Louis Jordan | ||
| 07 | IS YOU IS OR IS YOU AIN'T (MY BABY) | Louis Jordan | ||
| 08 | MOP MOP | Louis Jordan | ||
| 09 | YOU CAN'T GET THAT NO MORE | Louis Jordan | ||
| 10 | CALDONIA | Louis Jordan | ||
| 11 | SOMEBODY DONE CHANGED THE LOCK ON MY DOOR | Louis Jordan | ||
| 12 | BUZZ ME | Louis Jordan | ||
| 13 | DON'T WORRY BOUT THAT MULE | Louis Jordan | ||
| 14 | SALT PORK WEST VIRGINIA | Louis Jordan | ||
| 15 | DON'T LET THE SUN CATCH YOU CRYIN | Louis Jordan | ||
| 16 | BEWARE (BROTHER BEWARE) | Louis Jordan | ||
| 17 | STONE COLD DEAD IN THE MARKET | Louis Jordan | ||
| 18 | THAT CHICK'S TOO YOUNG TO FRY | Louis Jordan | ||
| 19 | CHOO CHOO CH'BOOGIE | Louis Jordan | ||
| Jordan, Louis - Let the Good Times Roll (2-LP) LP 2 | ||||
|---|---|---|---|---|
| 01 | AIN'T THAT JUST LIKE A WOMAN | Louis Jordan | ||
| 02 | AIN'T NOBODY HERE BUT US CHICKENS | Louis Jordan | ||
| 03 | LET THE GOOD TIMES ROLL | Louis Jordan | ||
| 04 | TEXAS AND PACIFIC | Louis Jordan | ||
| 05 | OPEN THE DOOR RICHARD | Louis Jordan | ||
| 06 | JACK YOU'RE DEAD | Louis Jordan | ||
| 07 | BOOGIE WOOGIE BLUE PLATE | Louis Jordan | ||
| 08 | EARLY IN THE MORNING | Louis Jordan | ||
| 09 | BARNYARD BOOGIE | Louis Jordan | ||
| 10 | REET PETITE AND GONE | Louis Jordan | ||
| 11 | RUN JOE | Louis Jordan | ||
| 12 | BABY IT'S COLD OUTSIDE | Louis Jordan | ||
| 13 | BEANS AND CORN BREAD | Louis Jordan | ||
| 14 | SATURDAY NIGHT FISH FRY | Louis Jordan | ||
| 15 | SCHOOL DAYS | Louis Jordan | ||
| 16 | BLUE LIGHT BOOGIE | Louis Jordan | ||
| 17 | TEARDROPS FROM MY EYES | Louis Jordan | ||
Louis Jordan and his Tympany Five
No artist was more seminal to the development of R&B and ultimately rock and roll than jumpin', jivin' alto saxist Louis Jordan and his relentlessly swinging Tympany Five. The most popular R&B act of their era with an unbroken string of hits for Decca spanning 1942-1951, Jordan and his compact crew managed to cross over to the pop hit parade in unprecedented fashion. A naturally gifted comic, he starred in several low budget musical films for black audiences and proved a major influence on Bill Haley & His Comets, who were produced by Jordan's former Decca A&R man, Milt Gabler.
Born in Brinkley, Arkansas, on July 8, 1908, Louis came by his musical talents naturally: his father was a bandleader. The younger Jordan was skilled enough on his horn to find work in New York during the early '30s, recording behind Louis Armstrong and Clarence Williams before joining drummer Chick Webb's orchestra in 1936 (he was showcased on Webb's Rusty Hinge). Louis left Chick's employ in 1938, ready to lead the first incarnation of his Tympany Five (he was playing clarinet as well as alto sax in those days).
The hits began to come in late '42 with I'm Gonna Leave You On The Outskirts Of Town and didn't let up for a full decade. Jordan rallied the troops with his Ration Blues and G.I. Jive and kept jitterbugs hopping back home with Caldonia and Choo Choo Ch'Boogie. Like nine of his Decca 78s before it, Ain't That Just Like A Woman paced the race music charts. Written by Claude De Metruis (alleged co-author Fleecie Moore was Jordan's wife; he'd soon divorce her after she attacked him with a knife, losing a lot of compositional royalties he'd assigned to her in the process) and cut January 23, 1946 in New York, the humorous romp saw Louis' band expand to six with the addition of guitarist Carl Hogan.
Pianist Wild Bill Davis keeps the track driving, but it's Hogan's fluid boogie underpinning that gets the witty number rocking. Chuck Berry has long cited Hogan as a main influence and cut his own version of the song nearly two decades later; Fats Domino and Lloyd Price made convincing renditions as well. Sadly, like many of his peers, Jordan got left behind during the rock and roll revolution he helped spark. He was still performing until shortly before his February 4, 1975 death.
Bill Dahl
Chicago, Illinois
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