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Louis Jordan G.J. Jive (2-CD)

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(Digimode) 36 tracksplus

Louis Jordan: G.J. Jive (2-CD)

(Digimode) 36 tracks

Propriétés de l'article: Louis Jordan: G.J. Jive (2-CD)

  • Interpret: Louis Jordan

  • Titre de l'album: G.J. Jive (2-CD)

  • Genre R&B, Soul

  • Année de publication 2004
  • Label DIGIMODE

  • Artikelart CD

  • EAN: 0690978215119

  • Poids en kg: 0.2
Jordan, Louis - G.J. Jive (2-CD) CD 1
01 Five Guys Named Moe Louis Jordan
02 Caldonia Louis Jordan
03 Is You Is Or Is You Ain't My Baby Louis Jordan
04 GIJive Louis Jordan
05 Open The Door Richard Louis Jordan
06 Mop Mop Louis Jordan
07 I Like 'em Fat Like That Louis Jordan
08 Stone Cold Dead In The Market Louis Jordan
09 Petootie Pie Louis Jordan
10 Barnyard Boogie Louis Jordan
11 I'm Gonna Move To The Outskirts Of Town Louis Jordan
12 You Can't Get That No More Louis Jordan
13 Let The Good Times Roll Louis Jordan
14 What's The Use Of Getting Sober (When You Gonna Louis Jordan
15 Every Man To His Own Profession Louis Jordan
16 Reet Petite And Gone Louis Jordan
17 Buzz Me Louis Jordan
18 Beware Brother Beware Louis Jordan
Jordan, Louis - G.J. Jive (2-CD) CD 2
01 Chicky-Mo Craney Cow Louis Jordan
02 How High Am I Louis Jordan
03 Jack You're Dead Louis Jordan
04 Early In The Mornin' Louis Jordan
05 Nobody But Me Louis Jordan
06 Ain't That Just Like A Woman (They'll Do It Ever Louis Jordan
07 Run Joe Louis Jordan
08 Ain't Nobody Here But Us Chickens Louis Jordan
09 Choo Choo Ch'boogie Louis Jordan
10 That Chick's To Young To Fry Louis Jordan
11 Salt Park West Virginia Louis Jordan
12 Saturday Night Fish Fry Louis Jordan
13 Knock Me A Kiss Louis Jordan
14 School Days (When We Were Kids) Louis Jordan
15 Blue Light Boogie Louis Jordan
16 Beans & Cornbread Louis Jordan
17 Don't Let The Sun Catch You Cryin' Louis Jordan
18 Somebody Done Changed The Lock On My Door Louis Jordan
Louis Jordan and his Tympany Five No artist was more seminal to the development of R&B... plus
"Louis Jordan"

Louis Jordan and his Tympany Five

No artist was more seminal to the development of R&B and ultimately rock and roll than jumpin', jivin' alto saxist Louis Jordan and his relentlessly swinging Tympany Five. The most popular R&B act of their era with an unbroken string of hits for Decca spanning 1942-1951, Jordan and his compact crew managed to cross over to the pop hit parade in unprecedented fashion. A naturally gifted comic, he starred in several low budget musical films for black audiences and proved a major influence on Bill Haley & His Comets, who were produced by Jordan's former Decca A&R man, Milt Gabler.

Born in Brinkley, Arkansas, on July 8, 1908, Louis came by his musical talents naturally: his father was a bandleader. The younger Jordan was skilled enough on his horn to find work in New York during the early '30s, recording behind Louis Armstrong and Clarence Williams before joining drummer Chick Webb's orchestra in 1936 (he was showcased on Webb's Rusty Hinge). Louis left Chick's employ in 1938, ready to lead the first incarnation of his Tympany Five (he was playing clarinet as well as alto sax in those days).

The hits began to come in late '42 with I'm Gonna Leave You On The Outskirts Of Town and didn't let up for a full decade. Jordan rallied the troops with his Ration Blues and G.I. Jive and kept jitterbugs hopping back home with Caldonia and Choo Choo Ch'Boogie. Like nine of his Decca 78s before it, Ain't That Just Like A Woman paced the race music charts. Written by Claude De Metruis (alleged co-author Fleecie Moore was Jordan's wife; he'd soon divorce her after she attacked him with a knife, losing a lot of compositional royalties he'd assigned to her in the process) and cut January 23, 1946 in New York, the humorous romp saw Louis' band expand to six with the addition of guitarist Carl Hogan.

Pianist Wild Bill Davis keeps the track driving, but it's Hogan's fluid boogie underpinning that gets the witty number rocking. Chuck Berry has long cited Hogan as a main influence and cut his own version of the song nearly two decades later; Fats Domino and Lloyd Price made convincing renditions as well. Sadly, like many of his peers, Jordan got left behind during the rock and roll revolution he helped spark. He was still performing until shortly before his February 4, 1975 death.

 

Bill Dahl
Chicago, Illinois

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