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Lightnin' Hopkins & Billy Bizor Wake Up The Dead (1968-1969 (2-CD)

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(2015/Cicadelic) 38 tracks. Lightnin' Hopkins woke up The Dead when he played San Francisco in...plus

Lightnin' Hopkins & Billy Bizor: Wake Up The Dead (1968-1969 (2-CD)

(2015/Cicadelic) 38 tracks. Lightnin' Hopkins woke up The Dead when he played San Francisco in the 1960's and his song 'Wake Up The Dead' is the centerpiece of this two and a half hour journey into the electrified world of Texas blues. Accompanying Lightnin' on this journey is his long time harmonica player, Billy Bizor. While Lightnin' had a prolific recording career, Bizor's stature is relatively obscure due to the lack of solo recordings he released during his lifetime. Fortunately, 'Wake Up The Dead' seeks to rectify that situation by including the complete June 17, 1968 session with Lightnin' and Bizor, plus all of Bizors' 1969 solo recordings. As an added bonus, some tracks of the April 11, 1969 session are included. The highlight of this session is the nine minutes of outtakes of 'Mojo Hand'. Never before have the complete tapes from all the aforementioned sessions been released until now. Furthermore, the tapes have been remixed from the original three and four track masters to accentuate the magical chemistry between Lightnin' and Bizor.

Propriétés de l'article:Lightnin' Hopkins & Billy Bizor: Wake Up The Dead (1968-1969 (2-CD)

Hopkins, Lightnin' - Wake Up The Dead (1968-1969 (2-CD) CD 1
01Wake Up The DeadLightnin' Hopkins & Billy Bizor
02Vietnam WarLightnin' Hopkins & Billy Bizor
03Next Trip Dwn SouthLightnin' Hopkins & Billy Bizor
04Lonesome LifeLightnin' Hopkins & Billy Bizor
05Pine Gum BoogieLightnin' Hopkins & Billy Bizor
06I'm Tired Of TroubleLightnin' Hopkins & Billy Bizor
07My SuggestionLightnin' Hopkins & Billy Bizor
08You're Gonna Miss MeLightnin' Hopkins & Billy Bizor
09Walking BluesLightnin' Hopkins & Billy Bizor
10How Dooz ItLightnin' Hopkins & Billy Bizor
11Feel Like Ballin' The Jack (outtakes)Lightnin' Hopkins & Billy Bizor
12Lightnin' BoltLightnin' Hopkins & Billy Bizor
13Mojo Hand (outtakes)Lightnin' Hopkins & Billy Bizor
14Mojo Hand (final version)Lightnin' Hopkins & Billy Bizor
15Shake That Thing (first version)Lightnin' Hopkins & Billy Bizor
16Moving On out (outtake)Lightnin' Hopkins & Billy Bizor
17Free Of ChargeLightnin' Hopkins & Billy Bizor
18Old ManLightnin' Hopkins & Billy Bizor
19ScrewdriverLightnin' Hopkins & Billy Bizor
20Whiskey Head WomanLightnin' Hopkins & Billy Bizor
21How Dooz It (alternate version)Lightnin' Hopkins & Billy Bizor
22Long Way From HomeLightnin' Hopkins & Billy Bizor
Hopkins, Lightnin' - Wake Up The Dead (1968-1969 (2-CD) CD 2
01T Model FordBilly Bizor
02Whiskey Head WomanBilly Bizor
03Take It Easy Little GirlBilly Bizor
04When I'm DeadBilly Bizor
05ScrewdriverBilly Bizor
06You Knock Me OutBilly Bizor
07I'll Never Do Right AgainBilly Bizor
08I'll Miss You SoBilly Bizor
09Tell Me Where You Stayed Last NightBilly Bizor
10You Promised MeBilly Bizor
11Let's Pitch OneBilly Bizor
12Whiskey Head Woman (alternate version)Billy Bizor
13Screwdriver (alternate version)Billy Bizor
14A Hot SpiritBilly Bizor
15Bill yBizor Is DeadBilly Bizor
16Kust A Little Bit MoreBilly Bizor
Lightnin' Hopkins Lightnin' Hopkins Nobody could fool Lightnin' Hopkins when it came... plus
"Lightnin' Hopkins & Billy Bizor"

Lightnin' Hopkins

Lightnin' Hopkins

Nobody could fool Lightnin' Hopkins when it came to rocking off gigantically. Not even Little Richard. Anyway, there is no evidence that Richard ever counted a faster tempo than Lightnin' on Hopkins' Sky Hop.

The instrumental piece was recorded in his hometown Houston in April 1954 during extremely productive sessions, during which a lot of master recordings were made. Herald Records in New York could live on it for several years. Hopkins played the incredibly fast number with two local musicians, who could follow his unpredictable timing and chord changes in a dreamlike manner: Bassist Donald Cooks and drummer Ben Turner. Lightnin' got along well with his electric guitar; it was obviously a lot of fun for him to fire some of the toughest guitar licks in the history of Texas blues.

But time overtook the veteran Texas bluesman. Sessions for TNT and Chart in the mid-50s obviously remained his last chance on the R&B market. Then musicologist Sam Charters came by in early 1959 and recorded Lightnin' with a microphone in his room for a Folkways LP that opened up a whole new audience for the blues veteran. Many more recordings followed for a large number of companies, and Hopkins was soon stuck in the folkblues boom, through which long-forgotten bluesmen from the south were rediscovered in part after decades. Lightnin' had a cooler stage presence than most others with sunglasses and styled hair. His 1960s session for Bobby Robinson in Harlem even brought him one last jukebox hit with Mojo Hand on the Fire label.

Lightnin' recorded a large number of records over the entire duration of his further career. As long as a producer had a bundle of banknotes for him, he made recordings for him, whereby there was only one attempt per title. He was more loyal to Stan Lewis' Jewel Records than most others and traveled to Muscle Shoals Studios for a jewel session in 1969. Hopkins died in Houston on January 30, 1982. He was the ultimate Texas bluestroubadour, whether he played his boogies and soulful slower blues tracks on an electric or acoustic guitar.

Bill Dahl
Chicago, Illinois

PLUG IT IN! TURN IT UP!
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