Lowell Fulsom In A Heavy Bag (180 g vinyl)

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Poids en kg: 0.2

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(1970'Jewel') Sundazed What's in a name' In Lowell L'affaire Fulson, plein de choses ! Au cours...plus

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Lowell Fulsom: In A Heavy Bag (180 g vinyl)

(1970'Jewel') Sundazed

What's in a name' In Lowell L'affaire Fulson, plein de choses ! Au cours de sa longue et passionnante carrière, il a enregistré sous son propre nom ainsi que Lowell Fullsom et Lowell Fulsom. C'est ce que j'ai fait pour des raisons professionnelles, il n'y avait pas à cacher sa véritable identité une fois qu'il a commencé à chanter et à jouer. Originaire de l'Oklahoma, Fulson a grandi avec des enfants égaux. des doses de Bob Wills et de blues du Texas et devint rapidement le principal promoteur. du son blues de la côte ouest. Une triple menace en tant que chanteur/auteur-compositeur/guitariste, Fulson a enregistré pour de nombreux labels, notamment Swing Time, Chess/Checker, Kent et Rounder. Parmi ses nombreux succès, mentionnons Reconsider Baby,''Lonesome Christmas,''Tramp',''Tramp' (Célèbrement recouvert par l'émission'Lonesome Christmas','Lonesome Christmas',','Tramp','Lonesome Christmas',','Lonesome Christmas','Lonesome Christmas,','Tramp','Tramp','Lonesome Christmas',','Lonesome Christmas',','Lonesome Christmas,',','Lonesome Christmas,',','Lonesome Christmas','. Carla et Rufus Thomas),'Three O'Clock Blues' et'Everyday I Have The 'Blues.' Son influence sur ses pairs et sur les générations subséquentes d'employés de la musiciens est incalculable.

Après avoir signé avec Chess Records en 1954, Fulson a enregistré Reconsider Baby' sous la direction de Stan Lewis à Dallas, Texas. L'un des cornistes de la session, le saxophoniste David'Fathead'. Newman est devenu une star à part entière. Bien que les hits s'est temporairement asséché dans la dernière partie de sa carrière d'échecs/Checker, un le passage à Kent Records en 1965 a déclenché une résurgence des charts. Frapper succession rapide avec'Black Nights','Tramp','Make a Little Love' et'Make a Little Love'. I'm a Drifter', Fulson a fermement rétabli sa domination du genre, gagner une nouvelle génération de fans venant au blues par le biais de l'équipe de blues. Rolling Stones, John Mayall et les Bluesbreakers, Cream et autres blues. des acolytes de roche.Prenant une pause de Kent, Fulson se réunit avec Lewis pour enregistrer un nouvel album. In A Heavy Bag, dans le rôle de Lowell Fulsom. Sorti chez Lewis. Shreveport, Jewel Records basé en Louisiane, c'est lourd, en effet !

Album>Album l'ouvreur'Regarde-toi bébé' jette des mines tranchantes et percutantes qui permettraient à l'enfant de s'amuser et de s'amuser. faire frissonner Albert Collins. Juste sur ses talons, il y a une méchamment salace. en couverture des Beatles'Why Don't We Do It In The Road.''. Les sons de guitare sur'Don't Destroy Me' percolent avec une telle distorsion profonde qu'il est sûr qu'il est sûrement a secoué Jimmy Page toute la nuit et même plus.

Yet, tout au long du projet. l'album, l'instrument le plus puissant est la voix en plein essor de Fulson. En chantant sur un ton musclé et direct, il est facile d'entendre l'effet qu'il a eu. sur son ancien pianiste, M. Ray Charles Robinson, alias Ray Ray. Charles.Fulson a continué à jouer et à enregistrer jusqu'à ce que la maladie le ralentisse peu de temps après. avant sa mort en 1999. Au cours d'une carrière aussi riche, il y a beaucoup d'autres personnes. et In A Heavy Bag rassemble onze de ces moments dans le monde entier. un seul endroit. Provenant des cassettes analogiques Jewel d'origine, cet album est le premier de la série Jewel. une expérience d'écoute immensément agréable du début à la fin.

Propriétés de l'article: Lowell Fulsom: In A Heavy Bag (180 g vinyl)

Interpret: Lowell Fulsom
Titre de l'album: In A Heavy Bag (180 g vinyl)
Genre Blues
Label SUNDAZED
Preiscode VLP2
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Poids du vinyle 180g Vinyl
Artikelart LP
EAN: 0090771520715
Poids en kg: 0.2

Fulsom, Lowell - In A Heavy Bag (180 g vinyl) LP 1
01	SIDE 1:	Lowell Fulsom
02	Look At You Baby	Lowell Fulsom
03	Why Don't We Do It In The Road	Lowell Fulsom
04	Sleeper	Lowell Fulsom
05	Lady In The Rain	Lowell Fulsom
06	My Baby	Lowell Fulsom
07	SIDE 2:	Lowell Fulsom
08	Man On The Run	Lowell Fulsom
09	Don't Destroy Me	Lowell Fulsom
10	This Feeling	Lowell Fulsom
11	Trouble Everywhere	Lowell Fulsom
12	Cheating Woman	Lowell Fulsom
13	Man Of Motion	Lowell Fulsom

Lowell Fulson It took some time, but Lowell Fulson eventually emerged as one of his... plus

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"Lowell Fulsom"

Lowell Fulson

It took some time, but Lowell Fulson eventually emerged as one of his generation's leading electric blues guitarists. That didn't mean he couldn't go the acoustic route as well, at least early in his recording career, but it was his concise amplified lead work and hearty vocals that proved so influential to the likes of B.B. King.

Fulson was born into a musical family on March 31, 1921 near Tulsa, Oklahoma; his father and younger brother Martin also played guitar. "I was just looking at my uncles play. Two or three of 'em around there had guitars and played. It was about the only instrument there was, that and violin. So I just picked it up," said the late Fulson. "As far as the blues, that's about the only thing you'd hear, unless it was country and western." Fluent on guitar in his teens, Lowell moved to Ada, Oklahoma, in his late teens. "I played in Dan Wright's big all-string band for about a year, down there in Ada. Texas Alexander came through there about a year later, and I stuck with him 'cause I liked goin' different places," he said. "I stayed out there with Texas about, I don't know, six or eight months, and then I went home."

While serving in the Navy during the war, Fulson was stationed in Oakland. When he got out, he returned and ran into fledgling producer Bob Geddins in 1946. "Just happened to be walkin' down 8^th Street. I heard some music and stuff, a record player, and I stopped in there and looked," said Lowell. "He had a one-man press, pressin' records, up and down, pressing one record at a time. So he had an old beat-up guitar, and I picked it up and went to banging on it. So he looked at me and quit pressing. He said, 'Have you ever recorded?' I told him no. He said, 'You want to make a record?' I said, 'I don't care.' He said, 'I'll give you $100.' 'Let's go!'

"Bob Geddins had Big Town, and then we did some stuff on Trilon. 'Course, I wasn't under contract," he said. "But somebody pay you to cut a record, you cut a record!" A lot of his early Big Town and Trilon 78s made little impact, but Fulson scored his first national hit in '48 on Geddins' Down Town logo with the downbeat Three O'Clock Blues, which would also be B.B.'s first hit, a chart-topper at that, in 1951.

Leaving Geddins' operation in favor of Jack Lauderdale's L.A.-based Swing Time diskery, Lowell had a huge year in 1950, starting with Everyday I Have The Blues. "That was Memphis Slim's 'Nobody Loves Me,'" he admitted. "I liked the tune, and I'd taken it, rearranged (it as) 'Everyday I Have The Blues.' I wouldn't call myself taking it. I just pitched it where I could sing it like I wanted to. But he gets the credit for writing the thing." Even Slim had borrowed the number; the Sparks Brothers originated it on Bluebird in 1935—as Every Day I Have The Blues. Pianist Lloyd Glenn rated a prominent mention on the label of Lowell's version (supported by alto saxist Earl Brown, bassist Billy Hadnott, and drummer Bob Harvey).

"We went through a couple of pianists to try to get somebody that could work with me like I wanted to," said Fulson. "We tried Jay McShann and two or three more guys, but none of 'em didn't fit like Lloyd. Me and him kind of hit it off together, made it alright." Cut in Los Angeles in 1949, Everyday was a #3 R&B hit the next spring, and Lowell's special year was just ramping up. His Blue Shadows vaulted to number one that fall, and his holiday offering Lonesome Christmas and the snazzy instrumental Low Society Blues charted too.

Bill Dahl
Chicago, Illinois

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