Ronnie Earl & The Broadcasters CD: Rise Up (CD)

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Réf. de l’article: CDSP1418
Poids en kg: 0.1

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(Stony Plain) 15 tracks Communiqué de presse 2020. Ronnie Earl est un compositeur et musicien de...plus

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Ronnie Earl & The Broadcasters: Rise Up (CD)

(Stony Plain) 15 tracks
Communiqué de presse 2020. Ronnie Earl est un compositeur et musicien de renommée mondiale, quatre fois lauréat du Blues Music Award en tant que "Guitar Player of the Year". La plupart de ses 26 albums ont été des succès de librairie et des best-sellers, et il continue à être un favori du public dans les festivals de musique jusqu'à aujourd'hui. Après l'immense succès de l'album Beyond the Blue Door sorti en 2019, Ronnie continue de se produire avec son groupe exceptionnel The Broadcasters on Rise Up.

Rise Up contient des chansons écrites et enregistrées juste au moment où la quarantaine de se terminait. La majorité de l'album, enregistré dans The Living Room Sessions au domicile de Ronnie, est remplie de chansons qui nous rappellent le confort apporté par la famille et la communauté.

Ronnie Earl a toujours cru au pouvoir de la musique pour guérir l'esprit et l'âme, et les 15 titres de ce disque le démontrent implicitement. Rise Up confirme le statut d'Earl comme l'un des guitaristes de blues-soul/jazz les plus soucieux de son époque et, comme nous le rappelle Gregg Grella, 'Ronnie Earl continue de jouer de la guitare élégante'.

Propriétés de l'article: Ronnie Earl & The Broadcasters: Rise Up (CD)

Interpret: Ronnie Earl & The Broadcasters
Titre de l'album: Rise Up (CD)
Genre Blues
Label Stony Plain Records
Artikelart CD
Année de publication 2020
EAN: 0772532141826
Poids en kg: 0.1

Earl, Ronnie & The Broadcasters - Rise Up (CD) CD 1
01	I Shall Not Be Moved	Ronnie Earl & The Broadcasters
02	Higher Love	Ronnie Earl & The Broadcasters
03	Blues for George Floyd	Ronnie Earl & The Broadcasters
04	You Don?t Know What Love Is	Ronnie Earl & The Broadcasters
05	Blues for Lucky Peterson	Ronnie Earl & The Broadcasters
06	Big Town Playboy	Ronnie Earl & The Broadcasters
07	Albert?s Stomp	Ronnie Earl & The Broadcasters
08	In The Dark	Ronnie Earl & The Broadcasters
09	All Your Love	Ronnie Earl & The Broadcasters
10	Lord Protect My Child	Ronnie Earl & The Broadcasters
11	Mess Around	Ronnie Earl & The Broadcasters
12	Talking To Mr Bromberg	Ronnie Earl & The Broadcasters
13	Black Lives Matter	Ronnie Earl & The Broadcasters
14	Blues For J	Ronnie Earl & The Broadcasters
15	Navajo Blues	Ronnie Earl & The Broadcasters

Ronnie Earl and The Broadcasters Bluesmen who prefer to let their guitars do the talking have... plus

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"Ronnie Earl & The Broadcasters"

Ronnie Earl and The Broadcasters

Bluesmen who prefer to let their guitars do the talking have grown increasingly fewer with the passing of the decades. Ronnie Earl is one of their dwindling number. Considering his advanced chops and boundless imagination, no wonder other axemen are a trifle intimidated.

A native of New York City's borough of Queens (he was born March 10, 1953), Ronald Horvath got a late start, acquiring his first Stratocaster in 1973. Witnessing Muddy Waters at Boston's Jazz Workshop fired the college student up about his fretwork. He played with John Nicholas and Jimmie Vaughan before replacing Duke Robillard in Roomful of Blues in 1979. Horvath changed his surname to Earl through this period in homage to the late Chicago slide master Earl Hooker

During Earl's eight-year tenure with Roomful, the expansive horn-powered outfit recorded behind Eddie ‘Cleanhead' Vinson, Big Joe Turner, and Earl King as well as on their own when they weren't touring. During those Roomful years, Ronnie began making his own albums for Black Top on the side. ‘Smokin',' his 1983 debut album on Black Top, featured Kim Wilson guesting on vocals and harp. It was followed the next year by ‘They Call Me Mr. Earl,' where Sugar Ray Norcia did the vocal honors.

Singers became an increasingly a superfluous notion around Earl, who perfected a blues/jazz hybrid approach that allowed him to stretch out on long improvisatory flights that set him well apart from his contemporaries. Earl quit Roomful in 1987 and formed his own band, the Broadcasters, named after an early Fender guitar model. They made their maiden bow on 1988's ‘Soul Searchin',' again on Black Top, and there would be plenty more to come for that label as well as Bullseye Blues, Verve, Telarc and other companies big and small in years to come.

When Earl journeyed to Germany in May/June of 1993 to perform the concerts taped for the Crosscut album ‘Blues And Forgiveness,' his Broadcasters consisted of keyboardist Bruce Katz, bassist Rod Carey, and drummer Per Hanson, who shares writer's credit with Ronnie on Robert Nighthawk Stomp. It's a tour de force, incorporating an array of the late Nighthawk's signature licks before Ronnie veers off on a dazzling excursion of his own. You'd never know Earl's marriage was in the process of ending from the pure joy that leaps from his strings on this one.

Earl has triumphed over substance addiction, manic depression, chronic fatigue syndrome, and diabetes, never allowing health issues to detract from his electric blues guitar mastery. A strong believer in the healing power of his music, Ronnie spreads love every time he straps on his Strat.

Bill Dahl
Chicago, Illinois

PLUG IT IN! TURN IT UP!

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