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Carmen Miranda Miranda, Carmen Vol.2, The Brazilian Recordings 1930-45

Miranda, Carmen Vol.2, The Brazilian Recordings 1930-45
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  • Poids en kg: 0.1
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(1997/HARLEQIN) 23 titres avec livret de 12 pages.plus
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Carmen Miranda: Miranda, Carmen Vol.2, The Brazilian Recordings 1930-45

(1997/HARLEQIN) 23 titres avec livret de 12 pages.

Propriétés de l'article: Carmen Miranda: Miranda, Carmen Vol.2, The Brazilian Recordings 1930-45

  • Interpret: Carmen Miranda

  • Titre de l'album: Miranda, Carmen Vol.2, The Brazilian Recordings 1930-45

  • Genre Pop

  • Année de publication 1997

  • Label Harlequin

  • Artikelart CD

  • EAN: 0008637209421

  • Poids en kg: 0.1
Miranda, Carmen - Miranda, Carmen Vol.2, The Brazilian Recordings 1930-45 CD 1
01 Iaia, Ioio Carmen Miranda
02 Pra Voce Gostar De Mim (Tai) Carmen Miranda
03 Quero Ver Voce Chorar Carmen Miranda
04 Dona Balbina Carmen Miranda
05 Cuidado Hein! Carmen Miranda
06 Malandro Carmen Miranda
07 Moleque Indigesto Carmen Miranda
08 Um Pouquinho Carmen Miranda
09 Na Batucada Da Vida Carmen Miranda
10 Mamae Nao Quer Carmen Miranda
11 Elogio Da Raca Carmen Miranda
12 Pra Quem Sabe Dar Valor Carmen Miranda
13 Amor! Amor! Carmen Miranda
14 Eu Quero Casar Com Voce Carmen Miranda
15 Minha Deusa Partiu Carmen Miranda
16 Balance Carmen Miranda
17 Minha Terra Tem Palmeiras Carmen Miranda
18 Boneca De Piche Carmen Miranda
19 Salada Mista Carmen Miranda
20 A Pensao Da Dona Stella Carmen Miranda
21 Cuidado Com A Gaita Do Ary Carmen Miranda
22 Voltei Pro Morro Carmen Miranda
23 Tico-Tico No Fuba Carmen Miranda
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Carmen Miranda Brasilian Performer 1909 - 1955 The most famous Brazilian performer in... plus
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"Carmen Miranda"

Carmen Miranda

Brasilian Performer 1909 - 1955

The most famous Brazilian performer in the United States during the 1940s, Carmen Miranda became famous for the outlandish hats she wore which contained bananas and other fruit and for her elevated shoes. However, she was a talented singer and a fine all-round entertainer who was a big name in Brazil long before she came to the U.S.

Born Mario do Carmo Miranda da Cunha on Feb. 9, 1909, she was actually originally from Portugal although her family moved to Rio de Janeiro when she was two. After having odd jobs (including one making hats), her singing career started in 1929 when she began performing tangos on local radio stations. The following year she was signed to a record contract by the Victor label. Her third record, Pra Voce Gostar De Mim, sold 36,000, copies which at the time held the distinction for the most sales in Brazil of any record.

Throughout the 1930s, the renamed Carmen Miranda worked regularly on stage, on the radio and the recording studio, appearing in five Brazilian films. In 1939 she came to the United States for the first time, appearing in the Broadway play The Streets Of Paris. Soon the attractive performer was signed by Twentieth Century-Fox to appear in a series of musicals. She added an exotic element to the films, usually being much more colorful than the bigger-name stars. Her first American movie, Down Argentine Way, was a hit and made her into a household name.

Although Carmen Miranda's movie roles were sometimes a bit of a caricature with her wearing outrageous costumes and the memorable fruit hats, her singing and entertaining abilities shone through in such musicals as That Night In Rio, Weekend In Havana, Springtime In The Rockies, The Gang's All Here, Greenwich Village and Something For The Boys. By 1945, she was the highest paid female in the U.S. and was instantly recognizable After the end of World War II., there was less interest in Latin samba music but Carmen Miranda retained her fame. Among her later movies were Doll Face, If I'm Lucky, Copacabana, A Date With Judy, Nancy Goes To Rio and 1953's Scared Stiff. She continued performing on the radio, in nightclubs and on records.

Only 46 in 1955, Carmen Miranda should have had many productive years ahead of her. On August 4, she taped a heated song and dance  number on Jimmy Durante's television show and near its conclusion she can be heard saying, "I'm all out of breath." That evening she died of a heart attack at her home, ending an illustrious career. (Scott Yanow)

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