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Lowell Fulson The Tramp Years

The Tramp Years
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Essential collection featuring his biggest charts success. A must!plus

Lowell Fulson: The Tramp Years

Essential collection featuring his biggest charts success. A must!

Propriétés de l'article: Lowell Fulson: The Tramp Years

  • Interpret: Lowell Fulson

  • Titre de l'album: The Tramp Years

  • Genre Blues

  • Label Ace Records

  • Artikelart CD

  • EAN: 0029667175524

  • Poids en kg: 0.1
Fulson, Lowell - The Tramp Years CD 1
01 Tramp Lowell Fulson
02 I'm Sinking Lowell Fulson
03 No Hard Feeling Lowell Fulson
04 Get Your Game Up Tonight Lowell Fulson
05 Goin' Home Lowell Fulson
06 Two Way Wishing Lowell Fulson
07 Back Door Key Lowell Fulson
08 Make A Little Love Lowell Fulson
09 I Wanna Spend Christmas With You (Part 1) Lowell Fulson
10 I Wanna Spend Christmas With You (Part 2) Lowell Fulson
11 The Thing Lowell Fulson
12 Everything That I Took Away Lowell Fulson
13 Lost Lover Lowell Fulson
14 It Takes Money Lowell Fulson
15 Don't Bother Me Lowell Fulson
16 Little Girl Lowell Fulson
17 Hobo Meetin' (Tramp Meetin') Lowell Fulson
18 Blues Pain Lowell Fulson
19 What The Heck Lowell Fulson
20 The Sweetest Thing Lowell Fulson
21 Lovin' Touch Lowell Fulson
22 Price For Love Lowell Fulson
23 Blues Soul Lowell Fulson
24 Pico Lowell Fulson
Lowell Fulson Lowell Fulson Every Day I Have The Blues (Lonely Heart Blues) (Peter... plus
"Lowell Fulson"

Lowell Fulson

Lowell Fulson

Every Day I Have The Blues (Lonely Heart Blues)

(Peter Chatman)

Swing Time 196 / Hollywood 1029 / Hollywood 1103

 

It took some time, but Lowell Fulson eventually emerged as one of his generation's leading electric blues guitarists. That didn't mean he couldn't go the acoustic route as well, at least early in his recording career, but it was his concise amplified lead work and hearty vocals that proved so influential to the likes of B.B. King.

Fulson was born into a musical family on March 31, 1921 near Tulsa, Oklahoma; his father and younger brother Martin also played guitar. "I was just looking at my uncles play. Two or three of 'em around there had guitars and played. It was about the only instrument there was, that and violin. So I just picked it up," said the late Fulson. "As far as the blues, that's about the only thing you'd hear, unless it was country and western."  Fluent on guitar in his teens, Lowell moved to Ada, Oklahoma, in his late teens. "I played in Dan Wright's big all-string band for about a year, down there in Ada. Texas Alexander came through there about a year later, and I stuck with him 'cause I liked goin' different places," he said. "I stayed out there with Texas about, I don't know, six or eight months, and then I went home."

While serving in the Navy during the war, Fulson was stationed in Oakland. When he got out, he returned and ran into fledgling producer Bob Geddins in 1946. "Just happened to be walkin' down 8th Street. I heard some music and stuff, a record player, and I stopped in there and looked," said Lowell. "He had a one-man press, pressin' records, up and down, pressing one record at a time. So he had an old beat-up guitar, and I picked it up and went to banging on it. So he looked at me and quit pressing. He said, 'Have you ever recorded?' I told him no. He said, 'You want to make a record?' I said, 'I don't care.' He said, 'I'll give you $100.' 'Let's go!'

"Bob Geddins had Big Town, and then we did some stuff on Trilon. 'Course, I wasn't under contract," he said. "But somebody pay you to cut a record, you cut a record!" A lot of his early Big Town and Trilon 78s made little impact, but Fulson scored his first national hit in '48 on Geddins' Down Town logo with the downbeat Three O'Clock Blues, which would also be B.B.'s first hit, a chart-topper at that, in 1951.

Leaving Geddins' operation in favor of Jack Lauderdale's L.A.-based Swing Time diskery, Lowell had a huge year in 1950, starting with Everyday I Have The Blues. "That was Memphis Slim's 'Nobody Loves Me,'"  he admitted. "I liked the tune, and I'd taken it, rearranged (it as) 'Everyday I Have The Blues.' I wouldn't call myself taking it. I just pitched it where I could sing it like I wanted to. But he gets the credit for writing the thing." Even Slim had borrowed the number; the Sparks Brothers originated it on Bluebird in 1935—as Every Day I Have The Blues. Pianist Lloyd Glenn rated a prominent mention on the label of Lowell's version (supported by alto saxist Earl Brown, bassist Billy Hadnott, and drummer Bob Harvey).

"We went through a couple of pianists to try to get somebody that could work with me like I wanted to," said Fulson. "We tried Jay McShann and two or three more guys, but none of 'em didn't fit like Lloyd. Me and him kind of hit it off together, made it alright." Cut in Los Angeles in 1949, Everyday was a #3 R&B hit the next spring, and Lowell's special year was just ramping up. His Blue Shadows vaulted to number one that fall, and his holiday offering Lonesome Christmas and the snazzy instrumental Low Society Blues charted too.

- Bill Dahl -
Chicago, Illinois

PLUG IT IN! TURN IT UP!

Electric Blues 1939-2005. - The Definitive Collection!

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