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Big Mama Thornton The Complete Vanguard Recordings (3-CD)

The Complete Vanguard Recordings (3-CD)
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  • CDVSD175/7
  • 0.2
P Maintenant bonus points
besides those two well-known releases on 'Vanguard' this set is also containing a newly...plus

Big Mama Thornton: The Complete Vanguard Recordings (3-CD)

besides those two well-known releases on 'Vanguard' this set is also containing a newly discovered third album from the same year of 1975. 'Big Mama Swings' is a beautiful jazz/blues record.

Propriétés de l'article: Big Mama Thornton: The Complete Vanguard Recordings (3-CD)

  • Interpret: Big Mama Thornton

  • Titre de l'album: The Complete Vanguard Recordings (3-CD)

  • Label VANGUARD

  • Genre Blues

  • Artikelart CD

  • EAN: 0015707017527

  • Poids en kg: 0.2
Thornton, Big Mama - The Complete Vanguard Recordings (3-CD) CD 1
01 Little Red Rooster Big Mama Thornton
02 Ball And Chain Big Mama Thornton
03 Jail Big Mama Thornton
04 Hound Dog Big Mama Thornton
05 Rock Me Baby Big Mama Thornton
06 Sheriff O.E. & Me Big Mama Thornton
07 Oh Happy Day Big Mama Thornton
Thornton, Big Mama - The Complete Vanguard Recordings (3-CD) CD 2
01 Rolling Stone Big Mama Thornton
02 Lost City Big Mama Thornton
03 Mr. Cool Big Mama Thornton
04 Big Mama's New Love Big Mama Thornton
05 Private Number Big Mama Thornton
06 Sassy Mama Big Mama Thornton
07 Everybody's Happy (But Me) Big Mama Thornton
Thornton, Big Mama - The Complete Vanguard Recordings (3-CD) CD 3
01 Good-Bye Baby Big Mama Thornton
02 Gonna Leave You Big Mama Thornton
03 Mixed Up Feeling Big Mama Thornton
04 Special Big Mama Thornton
05 Going Fishing Big Mama Thornton
06 Big Mama Swings Big Mama Thornton
07 Happy Me Big Mama Thornton
Willie Mae 'Big Mama' Thornton Willie Mae 'Big Mama' Thornton with Kansas City Bill and... plus
"Big Mama Thornton"

Willie Mae 'Big Mama' Thornton

Willie Mae 'Big Mama' Thornton with Kansas City Bill and Orchestra

Hound Dog

(Jerry Leiber-Mike Stoller-J. Otis)

Peacock 1612

"They call me Big Mama!"  bellowed Willie Mae Thornton at her August 13, 1952 L.A. session for Peacock Records. She weighed at least 250 pounds and was one of the few artists on the label that actually intimidated Don Robey, the boss of Houston's Peacock Records and no shrinking violet himself. But that wasn't the eventual smash Big Mama laid down that day with Johnny Otis' band. That honor went to a rough-hewn, humorous blues supplied by young Jewish composers Jerry Leiber and Mike Stoller, whose Hound Dog made Big Mama an R&B star.

Thornton was born in Montgomery, Alabama on December 11, 1926, her father a minister. Young Willie Mae started singing in church, but by 14 she was on the road performing, joining Sammy Green's Hot Harlem Revue during the early '40s. When they hit Houston in 1948, Willie Mae made it her home. Competent on harmonica and drums, she made her recording debut in 1950, fronting the Harlem All Stars' All Right Baby for tiny E&W. Then Robey discovered her, pairing her with Joe Scott's combo and then Bill Harvey's outfit for her first two Peacock dates in 1951.

Otis pared down his horn-leavened band to only its rhythm section for Hound Dog, giving it a particularly lowdown feel and playing drums himself with Albert Winston on bass. Pete Lewis' snarling guitar winds around Big Mama's growls and cuts loose on a magnificent multi-chorus solo. The track held down the top slot on the R&B charts for seven weeks in the spring of '53 and inspired answer records from Rufus Thomas, Jr. on Sun (a hit in its own right, Bear Cat attracted a lawsuit from Robey) and John Brim on Checker (Rattlesnake).

Despite a string of excellent Peacock follow-ups that stretched into 1957, Big Mama never notched another hit. She moved to L.A. and made obscure 45s for Bay-Tone, Irma, Kent, and Sotoplay. Her fortunes finally brightened when she toured Europe with the 1965 American Folk Blues Festival and then cut her first LPs for Chris Strachwitz's Arhoolie label. When Janis Joplin introduced Big Mama's Ball And Chain to a new demographic, Thornton's profile increased significantly. It wasn't the first time a Thornton number did well for someone else. Elvis' rocket-fueled revival of Hound Dog with Scotty Moore's elastic guitar breaks paced the pop hit parade for 11 weeks in 1956. Ironically, Presley didn't pick up on Big Mama's original as cover material until he heard Freddie Bell & The Bellboys do it in Vegas.

Thornton's last few years weren't pretty. Dogged by alcoholism, ailing and poor, she was found dead on the floor of her L.A. boarding house on July 25, 1984 at age 57.

- Bill Dahl -

Chicago, Illinois


Electric Blues 1939-2005. - The Definitive Collection!

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