Otis Rush Rush, Otis Mourning In The Morning - 180gram vinyl

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Réf. de l’article: SLP5155
Poids en kg: 0.2

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(1969'Cotillion') Sundazed For Mourning In The Morning, son premier album de 1969 sur Atlantic...plus

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Otis Rush: Rush, Otis Mourning In The Morning - 180gram vinyl

(1969'Cotillion') Sundazed

For Mourning In The Morning, son premier album de 1969 sur Atlantic Records, la légende de la guitare blues sudpaw Otis Rush a voyagé de Chicago à Fame Recording Studios in Muscle Shoals, Alabama, un burg mieux connu pour ses plateaux de soul séminaux. Soutenu par un groupe de cor qui comprenait un jeune Duane Allman à la guitare rythmique, la hache coupante et la voix angoissée d'Otis brillait sur la chanson torturée 'You're Killing My Love', des reprises de ses classiques de Cobra Records 'My Love Will Never Die' et 'It Takes Time', et une reprise stupéfiante du 'Gambler's Blues' de B.B. King . Gambler's Blues. La moitié du set était composée de nouvelles compositions des producteurs Mike Bloomfield et Nick Gravenites, et la flexion des cordes de Rush sur une version instrumentale chatoyante de 'Baby I Love You' d'Aretha Franklin est tout à fait époustouflante.

Propriétés de l'article: Otis Rush: Rush, Otis Mourning In The Morning - 180gram vinyl

Interpret: Otis Rush
Titre de l'album: Rush, Otis Mourning In The Morning - 180gram vinyl
Genre Blues
Label SUNDAZED
Preiscode VLP2
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Poids du vinyle 180g Vinyl
Artikelart LP
EAN: 0090771515513
Poids en kg: 0.2

Rush, Otis - Rush, Otis Mourning In The Morning - 180gram vinyl LP 1
01	Me	Otis Rush
02	Working Man	Otis Rush
03	You're Killing My Love	Otis Rush
04	Feel So Bad	Otis Rush
05	Gambler's Blues	Otis Rush
06	Baby, I Love You	Otis Rush
07	My Old Lady	Otis Rush
08	My Love Will Never Die	Otis Rush
09	Reap What You Sow	Otis Rush
10	It Takes Time	Otis Rush
11	Can't Wait No Longer	Otis Rush

Otis Rush When Cobra Records folded in 1959, A&R man Willie Dixon sailed right back to his... plus

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"Otis Rush"

Otis Rush

When Cobra Records folded in 1959, A&R man Willie Dixon sailed right back to his former post at Chess Records. Two of Cobra's top young blues guitarists joined him. Southpaw Otis Rush had hit his very first time out on fledgling Cobra in '56 with Dixon's I Can't Quit You Baby (see Disc Four) and proceeded to wax a string of hair-raising Chicago blues classics (My Love Will Never Die, Double Trouble, All Your Love [I Miss Loving]) for Eli Toscano's West Side-based label prior to its untimely demise. Dixon played several roles in their stunning execution

"Willie was sort of right in the middle of everything," says Otis, whose Chess signing marked a change of heart on the label's part from when Otis was just starting out. "Chess didn't want to record me, because I sang a lot like Muddy," says Rush of his early years

Rush's first Chess session in January of 1960 produced a typically harrowing downbeat gem. With saxist Little Bobby Neely, pianist Lafayette Leake, guitarist Matt Murphy (who adds a few biting licks of his own), drummer Odie Payne, Jr., and bassist Dixon behind him, So Many Roads, So Many Trains intimidates in its fiery intensity. Rush sings it like a man possessed, his solo shrieking all over the high end of his guitar neck. So Many Roads stands with any of his Cobra sides (John Mayall's Bluesbreakers revived it in 1966 with Peter Green on lead guitar).

"Somebody gave me that song," says Rush. If the label credits can be believed, that somebody was 17-year-old Marshall Paul Chess. Listed on the 45 as Paul Marshall, he was already a familiar presence around the halls of his family label's headquarters, beginning as a mailroom worker and gofer at 13. It wasn't the first time a Chess release bore Marshall's name as official composer; Leonard's son was down as author of Harvey and The Moonglows' 1958 hit Ten Commandments Of Love and was all of 14 when he allegedly penned the same group's Penny Arcade.

Despite the unmitigated brilliance of So Many Roads and its resolutely minor-key follow-up You Know My Love (a My Love Will Never Die sequel, penned like its predecessor by Dixon), Rush's stay at Chess was brief and frustrating. "I was with Chess for about two or three years," he says. "We'd record, and they've got the record laying up on the shelf. So I wanted to get free of that."

Moving over to Don Robey's Duke Records proved even worse for Otis. His lone 1962 Chicago date for the Houston-based label produced the solitary single Homework, Dixon still at the helm. "I did a five-year contract with Duke. I got one record out of 'em," Rush laments. "That was a shame, five years. People like that was mostly tying up artists, putting 'em on the shelf. Record 'em, and just put 'em away. There wasn't no control in the music world."

Bill Dahl
Chicago, Illinois

Otis Rush on Wikipedia - http://de.wikipedia.org/wiki/Otis_Rush

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