Dinah Washington The Classic (2-CD)

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Réf. de l’article: CDCP8247
Poids en kg: 0.25

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(Charly) 46 titres - Une qualité sonore fantastique sur cette compilation intemporelle.plus

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Dinah Washington: The Classic (2-CD)

(Charly) 46 titres - Une qualité sonore fantastique sur cette compilation intemporelle.

Propriétés de l'article: Dinah Washington: The Classic (2-CD)

Interpret: Dinah Washington
Titre de l'album: The Classic (2-CD)
Label CHARLY
Genre R&B, Soul
Année de publication 1996
Artikelart CD
EAN: 4017692300727
Poids en kg: 0.25

Washington, Dinah - The Classic (2-CD) CD 1
01	September In The Rain	Dinah Washington
02	Smoke Gets In Your Eyes	Dinah Washington
03	All Of Me	Dinah Washington
04	This Can't Be Love	Dinah Washington
05	I Can't Get Started	Dinah Washington
06	Love Is Here To Stay	Dinah Washington
07	Blue Skies	Dinah Washington
08	Love Letters	Dinah Washington
09	They Didn't Believe Me	Dinah Washington
10	Stormy Weather	Dinah Washington
11	Ain't Misbehavin'	Dinah Washington
12	Ev'ry Time We Say Goodbye	Dinah Washington
13	Teach Me Tonight	Dinah Washington
14	I Get A Kick Out Of You	Dinah Washington
15	Come Rain Or Come Shine	Dinah Washington
16	Love Walked In	Dinah Washington
17	Mad About The Boy	Dinah Washington
18	Dream	Dinah Washington
19	Everybody Loves My Baby	Dinah Washington
20	Manhattan	Dinah Washington
21	Unforgettable	Dinah Washington
22	It Could Happen To You	Dinah Washington
23	Stardust	Dinah Washington

Washington, Dinah - The Classic (2-CD) CD 2
01	This Better Earth	Dinah Washington
02	I Wanna Be Loved	Dinah Washington
03	Trouble In Mind	Dinah Washington
04	You Don't Know What Love Is	Dinah Washington
05	What A Diff'rence A Day Makes	Dinah Washington
06	Baby Get Lost	Dinah Washington
07	Since I Fell For You	Dinah Washington
08	Love For Sale	Dinah Washington
09	Evil Gal Blues	Dinah Washington
10	I Don't Hurt Anymore	Dinah Washington
11	Feel Like I Wanna Cry	Dinah Washington
12	Please Send Me Someone To Love	Dinah Washington
13	I Won't Cry Anymore	Dinah Washington
14	Tears To Burn	Dinah Washington
15	I Could Have Told You	Dinah Washington
16	I'll Never Be Free	Dinah Washington
17	Salty Papa Blues	Dinah Washington
18	Am I Blue	Dinah Washington
19	Cry Me A River	Dinah Washington
20	Make The Man Love Me	Dinah Washington
21	When A Woman Loves A Man	Dinah Washington
22	More Than You Know	Dinah Washington
23	There Is No Greater Love	Dinah Washington

Dinah Washington What A Diff'rence A Day Makes Dinah Washington What A Diff'rence A... plus

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"Dinah Washington"

Dinah Washington

What A Diff'rence A Day Makes

Dinah Washington

What A Diff'rence A Day Makes

(G“Dinah was the reason they wanted me to take over Mercury’s New York office,” said Clyde Otis. “They introduced me to her, and I said, 'I respect what you do so much, I'm afraid to even suggest a change in direction, but I have this idea for you to do “What A Diff'rence A Day Makes.” Have you ever heard it?' She said she had, and she asked me if I wrote it [Otis’ predilection for his own songs was legendary in the business]. I said I hadn't, but I told her if she recorded it, it could be very successful for her. She said, 'You do huh, motherfucker.' That was how she talked. She said, 'I'll give you one take, motherfucker.' I knew she meant one take, too. On the session, she was getting her shit together in the bathroom, and I told Belford Hendricks the arranger to get all the kinks out of the arrangement. She came back, she said. 'Ready?' One take, and we got it.

I went to a product meeting [at Mercury HQ] in Chicago, and played them ‘What A Diff'rence.’ They hated it. Meantime, Arnold Shaw [professional manager at the music publisher E.B. Marks] heard it and thought it was a monster. Arnold said, 'I'll take this song on the road, and I believe we can get the dee-jays to support it.' He went out three months, and when he came back it was a hit.” In his book, Honkers And Shouters, Shaw adds that he actually brought the song to Otis. “When I suggested to Mercury executives that Dinah could sell pop, they patted me on the head and told me not to waste my company’s promotional budget,” wrote Shaw. “I was so excited when Clyde Otis cut [the song] that even though field promotion was the province of other members of staff, I went on the road. I spent nine weeks visiting disc-jockeys. Not R&B, but pop.”

Dinah changed the song’s tense. Originally written in Spanish circa 1934 by Maria Grever as Cuando Vuelva A Tu Lado, it was rendered into English that year by veteran Broadway tunesmith Stanley Adams as What A Diff’rence A Day MADE. It hadn’t been an especially big hit in 1934, although it was interpolated into the 1955 Kirk Douglas movie, 'The Racer'. In 1959, it became Dinah’s first pop hit of the rock ‘n’ roll era, and it was, by any criterion, an exquisite performance. In 1975, Esther Phillips took what was essentially Dinah and Belford Hendricks’ arrangement of the song back into the pop Top 20. By then, Dinah was twelve years dead.

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