Ike Turner Turner, Ike Studio Productions - New Orleans And Los Ange

Aperçu: Turner, Ike Studio Productions - New Orleans And Los Ange

Turner, Ike Studio Productions - New Orleans And Los Ange

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(ACE) 27 titres 1963-65 avec un livret de 16 pages.plus

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Ike Turner: Turner, Ike Studio Productions - New Orleans And Los Ange

(ACE) 27 titres 1963-65 avec un livret de 16 pages.

Propriétés de l'article: Ike Turner: Turner, Ike Studio Productions - New Orleans And Los Ange

Interpret: Ike Turner
Titre de l'album: Turner, Ike Studio Productions - New Orleans And Los Ange
Genre R&B, Soul
Année de publication 2012
Label Ace Records
Artikelart CD
EAN: 0029667048729
Poids en kg: 0.1

Turner, Ike - Turner, Ike Studio Productions - New Orleans And Los Ange CD 1
01	The Darkest Hour	THOMAS, Jimmy
02	Remove My Doubts	JOHNSON, Stacy
03	They Ain't Lovin' Ya	GUY, Vernon with Jessie SMITH
04	Too Late	JOHN, Bobby
05	Like I Do	JOHN, Bobby & IKETTES
06	In Love	BRENSTON, Jackie & IKETTES
07	I'm Tore Up	BRENSTON, Jackie
08	Through With You	FIELDS, Venetta
09	That's All Right	GUY, Vernon
10	You're So Fine	GUY, Vernon
11	I Smell Trouble	THOMAS, Jimmy
12	Feel So Good	THOMAS, Jimmy
13	All In My Mind	TURNER, Tina
14	What Kind Of Love	LANE, Ernest & IKETTES with Ti
15	I'm Comin' Home	JOHN, Bobby with Jimmy Thomas,
16	Dust My Broom	JOHN, Bobby
17	For Your Precious Love	GUY, Vernon & IKETTES
18	Just To Hold My Hand	GUY, Vernon
19	Tin Pan Alley	THOMAS, Jimmy
20	Mother-In-Law Blues	THOMAS, Jimmy
21	Walking Down the Aisle	TURNER, Ike & IKETTES
22	Think	JOHN, Bobby & IKETTES
23	Five Long Years	TURNER, Tina
24	Consider Yourself	JOHNSON, Stacy
25	Don't Believe Him	JOHSON, Stacy
26	You Can't Have Your Cake And Eat It Too	GUY, Vernon with IKE & DEE DEE
27	You've Got Me (Just Where You Want Me)	GUY, Vernon

Ike and Tina Turner evolved one of the most dramatically successful rock stage acts of the... plus

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"Ike Turner"

Ike and Tina Turner evolved one of the most dramatically successful rock stage acts of the Seventies after a career embracing most forms of blues and soul. Ike Turner was born in Clarksdale, Mississippi, deep in the Delta cotton belt, on Nov. 5, 1931. A disc-jockeying job at station WROX led to the formation of the Kings Of Rhythm, a band of local musicians led by Turner. Their first record was 'Rocket 88' (Chess, 1951), sung by Jackie Brenston, a disc which is often cited as the first rock'n'roll recording.

Next, he became a talent scout in the southern states for Modern Records, fixing sessions by Bobby Bland, B, B. King, Howlin' Wolf and others. With the arrival of rock'n' roll in 1956, Turner moved north to St Louis, recording and playing in clubs with the Kings Of Rhythm. With them he evolved a revue format featuring various singers, while playing piano and guitar himself.

He found the focal point for the act in Annie Mae Bullock, who was born on Nov. 26, 1938 in Brownsville, Tennessee, and moved to Knoxville, where she sang in the choir of her father's church. She was known at first as Little Ann, but her first record, 'A Fool In Love', was credited to Ike and Tina Turner. Released on Sue in 1960, it reached No. 2 in the R&B charts, No. 27 in the pop charts and eventually sold a million. That success led to the formation of the Ikettes (of which P. P. Arnold, Merry Clayton and Bonnie Bramlett have been members at one time) to back Tina, and the construction of the stage act which has persisted until the present day, in its essential features.

Like many black artists, Ike Turner has proved himself able to adapt to changing moods in both black and white audiences while still producing worthwhile music on many of the thirty-odd albums he and Tina have recorded for Sue, Warner Bros., Philles, Blue Thumb and United Artists amongst others. Perhaps surprisingly, they have had few major hits. 'It's Gonna Work Out Fine' (Sue, 1961), a fiery blues classic, was the most successful until their Top Ten version of 'Proud Mary' (Liberty, 1971), the funky, futuristic `Nutbush City Limits' (United Artists, 1973) and 'Sweet Rhode Island Red' (1974). In 1966, Ike Turner relinquished production control to Phil Spector for the remarkable 'River Deep — Mountain High'. It reached only No. 88 in America but was a Top Three record in Britain.

By the Seventies, Ike had his own studios, Bolic, and recorded a highly personal solo album, Blues Roots (United Artists, 1971), which suggested that the increasingly spectacular and regimented stage act, centred on Tina's flaunting sexuality, might be less than satisfying for him.

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