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Ike Turner & The Kings Of Rhythm The Legendary Ike Turner & The Kings Of Rhythm (CD)

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The Legendary Ike Turner & The Kings Of Rhythm (CD)
The Legendary Ike Turner & The Kings Of Rhythm (CD)
   
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  • Réf. de l’article: CD0720002
  • Poids en kg: 0.107
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(2007/CB) 17 titres (58:30) - Early Yearsplus
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Ike Turner & The Kings Of Rhythm: The Legendary Ike Turner & The Kings Of Rhythm (CD)

(2007/CB) 17 titres (58:30) - Early Years

Propriétés de l'article: Ike Turner & The Kings Of Rhythm: The Legendary Ike Turner & The Kings Of Rhythm (CD)

  • Interpret: Ike Turner & The Kings Of Rhythm

  • Titre de l'album: The Legendary Ike Turner & The Kings Of Rhythm (CD)

  • Genre R&B, Soul

  • Année de publication 2007

  • Label CB

  • Artikelart CD

  • EAN: 8717423049937

  • Poids en kg: 0.107
Turner, Ike - The Legendary Ike Turner & The Kings Of Rhythm (CD) CD 1
01 Hey Hey (take 2) RENRUT, Ickey
02 Why Should I (Aka Tell Me Why) RENRUT, Ickey
03 Jack Rabbit RENRUT, Ickey
04 Ho-Ho RENRUT, Ickey
05 In Your Eyes Baby RENRUT, Ickey
06 Star Above FOSTER, Bobby
07 Prancin' RENRUT, Ickey
08 Angel Of Love FOSTER, Bobby
09 I Do Love You FOSTER, Bobby
10 Hey Hey (take 1) RENRUT, Ickey
11 You're The Only One FOSTER, Bobby
12 Look At That Chick WRIGHT, Johnny
13 Gotta Have You For Myself WRIGHT, Johnny
14 Shirley Can't You See FOSTER, Bobby
15 I Woke Up One Morning FOSTER, Bobby
16 I Don't Want To Lose Your Love GRIMES BAND, Sammy
17 Bag Pipe Special GRIMES BAND, Sammy
Pour en savoir plus sur Ike Turner & The Kings Of Rhythm
Ike and Tina Turner evolved one of the most dramatically successful rock stage acts of the... plus
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"Ike Turner & The Kings Of Rhythm"

Ike and Tina Turner evolved one of the most dramatically successful rock stage acts of the Seventies after a career em­bracing most forms of blues and soul. Ike Turner was born in Clarksdale, Mississippi, deep in the Delta cotton belt, on Nov. 5, 1931. A disc-jockeying job at station WROX led to the formation of the Kings Of Rhythm, a band of local musi­cians led by Turner. Their first record was 'Rocket 88' (Chess, 1951), sung by Jackie Brenston, a disc which is often cited as the first rock'n'roll recording.

Next, he became a talent scout in the southern states for Modern Records, fixing sessions by Bobby Bland, B, B. King, Howlin' Wolf and others. With the arrival of rock'n' roll in 1956, Turner moved north to St Louis, recording and playing in clubs with the Kings Of Rhythm. With them he evolved a revue format featuring various singers, while play­ing piano and guitar himself.

He found the focal point for the act in Annie Mae Bul­lock, who was born on Nov. 26, 1938 in Brownsville, Tennes­see, and moved to Knoxville, where she sang in the choir of her father's church. She was known at first as Little Ann, but her first record, 'A Fool In Love', was credited to Ike and Tina Turner. Released on Sue in 1960, it reached No. 2 in the R&B charts, No. 27 in the pop charts and eventually sold a million. That success led to the formation of the Ikettes (of which P. P. Arnold, Merry Clayton and Bonnie Bramlett have been members at one time) to back Tina, and the con­struction of the stage act which has persisted until the present day, in its essential features.

Like many black artists, Ike Turner has proved himself able to adapt to changing moods in both black and white audiences while still producing worthwhile music on many of the thirty-odd albums he and Tina have recorded for Sue, Warner Bros., Philles, Blue Thumb and United Artists amongst others. Perhaps surprisingly, they have had few major hits. 'It's Gonna Work Out Fine' (Sue, 1961), a fiery blues classic, was the most successful until their Top Ten version of 'Proud Mary' (Liberty, 1971), the funky, futuristic `Nutbush City Limits' (United Artists, 1973) and 'Sweet Rhode Island Red' (1974). In 1966, Ike Turner relinquished production control to Phil Spector for the remarkable 'River Deep — Mountain High'. It reached only No. 88 in America but was a Top Three record in Britain.

By the Seventies, Ike had his own studios, Bolic, and recorded a highly personal solo album, Blues Roots (United Artists, 1971), which suggested that the increasingly spec­tacular and regimented stage act, centred on Tina's flaunting sexuality, might be less than satisfying for him.

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