Ike Turner & His Kings Of Rhythm She Made My Blood Run Cold (LP)

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Réf. de l’article: LPSR3502
Poids en kg: 0.25

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(2017/Southern Routes) 16 Tracks - Fantastic compilation of Ike Turner's work during the 1950s,...plus

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Ike Turner & His Kings Of Rhythm: She Made My Blood Run Cold (LP)

(2017/Southern Routes) 16 Tracks - Fantastic compilation of Ike Turner's work during the 1950s, incl. tracks where he's backing up various artists with his band, 'The Kings Of Rhythm'!

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Propriétés de l'article: Ike Turner & His Kings Of Rhythm: She Made My Blood Run Cold (LP)

Interpret: Ike Turner & His Kings Of Rhythm
Titre de l'album: She Made My Blood Run Cold (LP)
Genre R&B, Soul
Année de publication 2017
Label Southern Roots
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Artikelart LP
EAN: 0084721350217
Poids en kg: 0.25

Turner, Ike - She Made My Blood Run Cold (LP) LP 1
01	I'm Tore Up	Billy Gayles
02	Gonna Wait For My Chance	Jackie Brenston
03	Sad As A Man Can Be	Biilly Gayles
04	She Made My Blood Run Cold	The Kings Of Rhythm
05	The World Is Yours	Johnny Wright
06	Wicked Little Ruby	Clayton Love
07	Jack Rabbit	Icky Renrut
08	Hey Hey - Jimmy Thomas	Icky Renrut
09	Just One More Time	Billy Gayles
10	The Big Question	Clayton Love
11	No Coming Back	Billy Gayles
12	Do Right Baby	Billy Gayles
13	Nobody Wants Me	Dennis Binder
14	Hoo-Doo Say	The Sly Fox
15	Talkin' About Me	Little Johnny Burton
16	All The Blues - All The Time	Ike Turner

Ike and Tina Turner evolved one of the most dramatically successful rock stage acts of the... plus

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"Ike Turner & His Kings Of Rhythm"

Ike and Tina Turner evolved one of the most dramatically successful rock stage acts of the Seventies after a career embracing most forms of blues and soul. Ike Turner was born in Clarksdale, Mississippi, deep in the Delta cotton belt, on Nov. 5, 1931. A disc-jockeying job at station WROX led to the formation of the Kings Of Rhythm, a band of local musicians led by Turner. Their first record was 'Rocket 88' (Chess, 1951), sung by Jackie Brenston, a disc which is often cited as the first rock'n'roll recording.

Next, he became a talent scout in the southern states for Modern Records, fixing sessions by Bobby Bland, B, B. King, Howlin' Wolf and others. With the arrival of rock'n' roll in 1956, Turner moved north to St Louis, recording and playing in clubs with the Kings Of Rhythm. With them he evolved a revue format featuring various singers, while playing piano and guitar himself.

He found the focal point for the act in Annie Mae Bullock, who was born on Nov. 26, 1938 in Brownsville, Tennessee, and moved to Knoxville, where she sang in the choir of her father's church. She was known at first as Little Ann, but her first record, 'A Fool In Love', was credited to Ike and Tina Turner. Released on Sue in 1960, it reached No. 2 in the R&B charts, No. 27 in the pop charts and eventually sold a million. That success led to the formation of the Ikettes (of which P. P. Arnold, Merry Clayton and Bonnie Bramlett have been members at one time) to back Tina, and the construction of the stage act which has persisted until the present day, in its essential features.

Like many black artists, Ike Turner has proved himself able to adapt to changing moods in both black and white audiences while still producing worthwhile music on many of the thirty-odd albums he and Tina have recorded for Sue, Warner Bros., Philles, Blue Thumb and United Artists amongst others. Perhaps surprisingly, they have had few major hits. 'It's Gonna Work Out Fine' (Sue, 1961), a fiery blues classic, was the most successful until their Top Ten version of 'Proud Mary' (Liberty, 1971), the funky, futuristic `Nutbush City Limits' (United Artists, 1973) and 'Sweet Rhode Island Red' (1974). In 1966, Ike Turner relinquished production control to Phil Spector for the remarkable 'River Deep — Mountain High'. It reached only No. 88 in America but was a Top Three record in Britain.

By the Seventies, Ike had his own studios, Bolic, and recorded a highly personal solo album, Blues Roots (United Artists, 1971), which suggested that the increasingly spectacular and regimented stage act, centred on Tina's flaunting sexuality, might be less than satisfying for him.

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