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Jimmy Rogers Rogers, Jimmy The Complete Chess Recordings Vol.1

Rogers, Jimmy The Complete Chess Recordings Vol.1
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(1950-1956 'Chess') (74:26 / 25)plus

Jimmy Rogers: Rogers, Jimmy The Complete Chess Recordings Vol.1

(1950-1956 'Chess') (74:26 / 25)

Propriétés de l'article: Jimmy Rogers: Rogers, Jimmy The Complete Chess Recordings Vol.1

  • Interpret: Jimmy Rogers

  • Titre de l'album: Rogers, Jimmy The Complete Chess Recordings Vol.1

  • Genre Blues

  • Label CHESS

  • Artikelart CD

  • EAN: 4000127704634

  • Poids en kg: 0.1
Rogers, Jimmy - Rogers, Jimmy The Complete Chess Recordings Vol.1 CD 1
01 That's All Right Jimmy Rogers
02 Ludella Jimmy Rogers
03 Goin' Away Baby Jimmy Rogers
04 Today, Today Blues Jimmy Rogers
05 I Used To Have A Woman Jimmy Rogers
06 The World's In A Tangle Jimmy Rogers
07 She Loves Another Man Jimmy Rogers
08 Chance To Love Jimmy Rogers
09 Money, Marbles And Chalk Jimmy Rogers
10 Hard Working Man Jimmy Rogers
11 My Little Machine Jimmy Rogers
12 Back Door Friend Jimmy Rogers
13 Crying Shame Jimmy Rogers
14 Mistreated Baby Jimmy Rogers
15 The Last Time Jimmy Rogers
16 What's The Matter? Jimmy Rogers
17 Out On The Road Jimmy Rogers
18 Left Me With A Broken Heart Jimmy Rogers
19 Act Like You Love Me Jimmy Rogers
20 Blues All Day Long Jimmy Rogers
21 Chicago Bound Jimmy Rogers
22 Sloppy Drunk Jimmy Rogers
23 You're The One (first version) Jimmy Rogers
24 You're The One Jimmy Rogers
25 If It Ain't Me (Who Are You Thinking Of) Jimmy Rogers
Jimmy Rogers and His Trio In addition to being the rhythmic glue that held Muddy Waters'... plus
"Jimmy Rogers"

Jimmy Rogers and His Trio

In addition to being the rhythmic glue that held Muddy Waters' peerless band together, guitarist Jimmy Rogers was a prolific Chess artist himself through the 1950s. That's All Right was his first Chess single as a leader (he'd backed Muddy in the studio the previous year) serving notice that Muddy's band would be an exceptionally bountiful source of talent for the label. 

Rogers was born James A. Lane in Ruleville, Mississippi on June 3, 1924, growing up in Atlanta; Vance, Mississippi, West Memphis, Memphis, and St. Louis. "I started on harmonica," he said. "I was playing around with the guitar. I made me one when I was a kid growing up. I made one on the wall, down south. I started from that, listening to Robert Johnson's material, Blind Lemon Jefferson, guys like that." 

Rogers also spent time in Helena, where he listened to Sonny Boy Williamson's broadcasts. He arrived in Chicago shortly before Muddy and began playing professionally around 1946. "There was another fellow called Blue Smitty," Rogers said. "We were playing some gigs here when Muddy came to Chicago. I was playing harmonica with Blue Smitty. After we got together, we had two guitars with Muddy and Smitty, and I just went back to harmonica.

"Then I just turned over after Smitty left town," he said. "We still needed the second guitar there, so Little Walter came in. Sunnyland (Slim) brought Walter to Chicago. He was a fantastic harmonica player. And I just give up the harp to him, and taken over full on guitar." They had an uncanny musical ESP. "I had my own ideas about it, about the blues, and Muddy had his. So did Little Walter," he said. "We'd catch on, comprehend real fast, between the three of us. It wasn't too hard for us, because each one of us understood the other one's reflex. So we got together, we would do quite a bit of rehearsing on the bandstand, where the public didn't know about it. 

"I really didn't know what it was all about, and Muddy didn't either. We were just doing something to our satisfaction, and it was very well pleasing to the public. So then when we discovered what was going down, then I said, 'Wow, man! We got something here, we don't know how far we can go with this stuff!'" They were so good that they brashly challenged other bands. "We was the Headhunters back in those days," said Muddy. "One night we went into a club that had a contest—I think $15 and a fifth of whiskey. And we went in there and just stripped it!"

Chess wasn't the first label Rogers recorded for as a leader. He'd done a session for Ora Nelle, tried again with Regal in 1949, and first cut That's All Right for Apollo in 1950. All those sides stayed on the shelf. But when Jimmy redid That's All Right on August 15, 1950 with Little Walter on harp and bassist Big Crawford, Chess had the sense to present Jimmy to the public. The song had first been cut in 1947 by Othum Brown as Ora Nelle Blues on tiny Maxwell Street-based Ora Nelle. "I had been doing it for a long time," Rogers said. "I had been turning it around, kicking it around." In the process, he made it his own.

 

Bill Dahl
Chicago, Illinois

PLUG IT IN! TURN IT UP!

Electric Blues 1939-2005. - The Definitive Collection!

 

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