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The Robins Cherry Lips

Cherry Lips
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CD on DESPO CD RECORDS by The Robins - Cherry Lipsplus

The Robins: Cherry Lips

CD on DESPO CD RECORDS by The Robins - Cherry Lips

Propriétés de l'article: The Robins: Cherry Lips

  • Interpret: The Robins

  • Titre de l'album: Cherry Lips

  • Genre R&B, Soul

  • Label DESPO CD

  • Artikelart CD

  • EAN: 0316729710206

  • Poids en kg: 0.1
Robins - Cherry Lips CD 1
01 Cherry Lips The Robins
02 Out Of The Picture The Robins
03 Hurt Me The Robins
04 Merry Go Rock The Robins
05 Since I First Met You The Robins
06 That Old Black Magic The Robins
07 A Fool In Love The Robins
08 All Of A Sudden My Heart Sings The Robins
09 Where's The Fire The Robins
10 Ev'ry Night The Robins
11 How Long The Robins
12 Keep Your Mind On Me The Robins
13 In My Dreams The Robins
14 You Wanted Fun The Robins
15 Snowball The Robins
16 Blues In The Night The Robins
17 A Quarter To Twelve The Robins
18 Pretty Little Dolly The Robins
19 It's Never Too Late The Robins
20 A Little Bird Told Me The Robins
21 White Cliffs Of Dover The Robins
22 Mary Lou Does The Hoochie Koo The Robins
23 How Many More Times The Robins
24 Magic Of A Dream The Robins
25 Whole Lot Imagination The Robins
26 Just Like That The Robins
27 Oh No The Robins
28 Live Wire Suzie The Robins
The Robins Smokey Joe's Café Things were finally going The Robins' way, thanks... plus
"The Robins"

The Robins

Smokey Joe's Café

Things were finally going The Robins' way, thanks to the songwriting and production of Jerry Leiber and Mike Stoller. In 1951, the Los Angeles group had the first Leiber/Stoller copyright to make it to wax. Adding tenor Carl Gardner to the ranks in 1954, shortly before The Robins signed with Leiber and Stoller's fledgling Spark label, hadn't hurt either.

Jerry and Mike gave The Robins Riot In Cell Block #9, Richard Berry guesting as the hard-nosed prisoner (it's on our previous disc). After that, founding bass singer Bobby Nunn handled the courtroom saga Framed, out on Spark with the Gardner-led flip Loop De Loop Mambo in the fall of '54. The rest of the group remained tenor Ty Terrell and brothers Billy and Roy Richard as tenor and baritone.

Spark issued more memorable Robins singles from Leiber and Stoller's prolific tandem pen in 1955. Tenor Grady Chapman returned to front a swinging Whadaya Want? and then an upbeat treatment of I Love Paris so outrageous that Cole Porter's publisher forced it off the market. Gardner led a raucous I Must Be Dreaming (its flip was a double-entendre The Hatchet Man, featuring a leering Nunn). Then came the hilarious theme that restored The Robins to prominence.

Cut around the end of 1954 or the beginning of '55 at Master Recorders in L.A., Smokey Joe's Café was another humorous Leiber/Stoller vignette. Jerry crafted the ominous tale around a real-life greasy spoon at Beverly Boulevard and La Cienega, describing unrequited love over a bowl of chili beans served by a jealous cook. Gardner delivers it with perfect comic timing, saxist Gil Bernal holds the intro note to his salacious solo for an eternity, and Barney Kessel's back-alley guitar adds the bluesy connecting riff on the breaks.

Out on Spark in August with a Gardner-led ballad, Just Like A Fool, on the B-side, it might have only made a West Coast splash had Atlantic's Nesuhi Ertegun, knocked out by the song and Spark's catalog, not introduced Leiber and Stoller to his cohorts. Atlantic picked up Smokey Joe's Café and put it out on its new Atco imprint that October. It climbed to #10 on 'Billboard's R&B 'Juke Box' list and #79 pop. Atlantic brought Leiber and Stoller aboard as independent producers. But The Robins split down the middle when Jerry and Mike spirited Gardner and Nunn away to form The Coasters.

"I stayed with the Robins for a year or two, and I decided that I had to get out of the Robins 'cause it didn't appear to be going to hit the road quick enough," said the late Gardner. "So I got out of the group with the help of Jerry Leiber and Mike Stoller."

The rest of the group didn't care to relocate to New York, signing with deejay Gene Norman's L.A.-based Whippet label as baritone/bass H.B. Barnum replenished the ranks. The Robins made a number of singles for Whippet, Knight, Arvee and Lavender without much success (Chapman was supplanted by future Phil Spector tenor Bobby Sheen in 1958). Meanwhile, The Coasters were poised for stardom.

- Bill Dahl -

Various Vol.7, Street Corner Symphonies 1955

Read more at: https://www.bear-family.de/various-vol.7-street-corner-symphonies-1955.html
Copyright © Bear Family Records

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