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(1953 à 1966 »Vee Jay ') (202:24 / 75)plus

Jimmy Reed: Reed, Jimmy Very Best Of Vee Jay Years (3-CD-Box)

(1953 à 1966 »Vee Jay ') (202:24 / 75)

Propriétés de l'article: Jimmy Reed: Reed, Jimmy Very Best Of Vee Jay Years (3-CD-Box)

  • Interpret: Jimmy Reed

  • Titre de l'album: Reed, Jimmy Very Best Of Vee Jay Years (3-CD-Box)

  • Label SNAPPER

  • Genre Blues

  • Artikelart CD

  • EAN: 0803415572823

  • Poids en kg: 0.3
Reed, Jimmy - Reed, Jimmy Very Best Of Vee Jay Years (3-CD-Box) CD 1
01 High And Lonesome Jimmy Reed
02 You Don't Have To Go Jimmy Reed
03 Boogie In The Dark Jimmy Reed
04 I'm Gonna Ruin You Jimmy Reed
05 Pretty Thing Jimmy Reed
06 I Ain't Got You Jimmy Reed
07 She Don't Want Me No More Jimmy Reed
08 Come On Baby Jimmy Reed
09 I Don't Go For That Jimmy Reed
10 Baby Don't Say That No More Jimmy Reed
11 Ain't That Lovin' You, Baby Jimmy Reed
12 Can't Stand To See You Go Jimmy Reed
13 When You Left Me Jimmy Reed
14 I Love You, Baby Jimmy Reed
15 My First Plea Jimmy Reed
16 You Got Me Dizzy Jimmy Reed
17 Honey, Don't Let Me Go Jimmy Reed
18 It's You, Baby Jimmy Reed
19 Honey, Where You Going? Jimmy Reed
20 Do The Thing Jimmy Reed
21 Little Rain Jimmy Reed
22 Signals Of Love (Red Lights The Stop Light) Jimmy Reed
23 The Sun Is Shining Jimmy Reed
24 Baby, What's On Your Mind? Jimmy Reed
25 Odds And Ends Jimmy Reed
26 Honest I Do Jimmy Reed
27 My Bitter Seed Jimmy Reed
28 Ends And Odds Jimmy Reed
29 You're Something Else Jimmy Reed
30 A String To Your Heart Jimmy Reed
31 Go On To School Jimmy Reed
32 You Got Me Crying Jimmy Reed
33 Down In Virginia Jimmy Reed
34 I'm Gonna Get My Baby Jimmy Reed
35 I Wanna Be Loved Jimmy Reed
36 Caress My Baby Jimmy Reed
37 I Know It's A Sin Jimmy Reed
38 You'n That Sack Jimmy Reed
39 Going To New York Jimmy Reed
40 I Told You, Baby Jimmy Reed
41 Take Out Some Insurance Jimmy Reed
42 I'm Nervous Jimmy Reed
43 Baby, What You Want Me To Do Jimmy Reed
44 Goin' By The River Pt.1 Jimmy Reed
45 Where Can You Be Jimmy Reed
46 Hush Hush Jimmy Reed
47 I Was (So) Wrong Jimmy Reed
48 Blue, Blue Water Jimmy Reed
49 Please Don't Jimmy Reed
50 Found Love Jimmy Reed
51 Big Boss Man Jimmy Reed
52 Hold Me Close Jimmy Reed
53 Close Togehther Jimmy Reed
54 You Know You're Looking Good Jimmy Reed
55 Kind Of Lonesome Jimmy Reed
56 Found Joy Jimmy Reed
57 Bright Lights, Big City Jimmy Reed
58 Baby, What's Wrong Jimmy Reed
59 Aw Shucks, Hush Your Mouth Jimmy Reed
60 I'm Mr. Luck Jimmy Reed
61 Blue Carnegie Jimmy Reed
62 Good Lover Jimmy Reed
63 Down In Mississippi Jimmy Reed
64 Too Much Jimmy Reed
65 Let's Get Together Jimmy Reed
66 Shame, Shame, Shame Jimmy Reed
67 Cold And Lonesome Jimmy Reed
68 Up Tight Jimmy Reed
69 Mixed Up Jimmy Reed
70 Wear Something Green Jimmy Reed
71 When You're Doing All Right Jimmy Reed
72 I'm Gonmna Upside Your Head Jimmy Reed
73 I'm The Man Down There Jimmy Reed
74 When Girls Do It Jimmy Reed
75 Knockin' At Your Door Jimmy Reed
Jimmy Reed Although he'd written most of his hits for Vee-Jay Records himself up to this... plus
"Jimmy Reed"

Jimmy Reed

Although he'd written most of his hits for Vee-Jay Records himself up to this point--You Don't Have To Go (see Disc Three), Ain't That Lovin' You Baby (it's on Disc Four), Honest I Do, Baby What You Want Me To Do (see Disc Five)—Jimmy Reed got Big Boss Man from an unusual pairing of writers: New York R&B producer Luther Dixon (the gent behind the violin-enriched uptown soul of Chuck Jackson and the Shirelles at Florence Greenberg's Scepter/Wand Records) and Jimmy's own Mississippi-born manager and road bandleader, Chicago bassist Al Smith. 

Reed's usual rhythm guitarist, the immaculate Eddie Taylor, didn't make the March 29, 1960 Chicago date that produced Big Boss Man. Instead of Taylor, Reed invited new Windy City resident Lee Baker, Jr. to man one of the axes. Down on the Gulf Coast, Baker had called himself Guitar Junior; his 1957 single Family Rules for Eddie Shuler's Lake Charles, Louisiana-based Goldband label had been a regional hit (see Disc Five). Now he was making his first Chicago session as a sideman. Baker wasn't alone on guitar: veteran Lefty Bates and young Curtis Mayfield were also there, along with bassist Willie Dixon and drummer Earl Phillips. 

"We had three guitars with Jimmy Reed, which is four!" exclaims the man better known today as Chicago blues guitarist Lonnie Brooks. "Jimmy, he was doing some of the lead parts." The newcomer was a bit in awe of Reed. "It was a dream come true, man," he says. "When I moved to Chicago, I got a chance to work with him. When I went on the road with him the first time, Eddie was with us. He had quit. He got mad and quit, so that's how I got in the picture. He quit, and then after they got me, he came back. (Smith) wanted to play it safe, so he kept me there. He told me, 'Well, you've got a chance to learn all the licks.'"

Jimmy's laconic vocal delivery and high-end racked harp squalls hadn't changed over the years; his snappy yet rudimentary shuffle rhythm remained as engaging as ever. One more essential ingredient: the subtle vocal contributions of Jimmy's wife, Mary Lee 'Mama' Reed, who kept her spouse straight on the lyrics by feeding him each line just before he'd sing it in the studio. "She helped him with all his songs," says Lonnie. "Mama would get in there and get the song, be reading it to him and saying it right in his ear, man. He'd say what she'd say."    

Big Boss Man was a #13 R&B/#78 pop seller in the spring of '61, the anthem attracting future covers by everyone from Elvis, Jerry Lee Lewis, and Charlie Rich to the Standells, the Syndicate of Sound, and the Grateful Dead. Even as Chicago blues faded from commercial prosperity, Bright Lights Big City was a smash for Jimmy later in the year; Aw Shucks, Hush Your Mouth, Good Lover, and the jangly Shame, Shame, Shame all nicked the pop listings in 1962-63 (Reed long commanded a surprisingly large white demographic in the Southern U.S.).

Reed's longtime battle with the bottle and recurring bouts with epilepsy took their toll on his health during the latter half of the '60s, when he made four LPs for ABC's Bluesway imprint, and early '70s. He straightened himself out and waged a low-key comeback in 1974, but too many years of self abuse caught up with him. Jimmy died following an epileptic seizure in Oakland, California on August 29, 1976, aged 50. Copied by many, no one ever quite captured his singularly informal style.

"I tell you what, man," says an admiring Brooks. "That guy, he played it wrong, but it sounds so damn good!"

Bill Dahl
Chicago, Illinois 

PLUG IT IN! TURN IT UP!
Electric Blues 1939–2005 – The Definitive Collection!
Volume 3: 1960–1969

Jimmy Reed on Wikipedia

 

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