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The Pretty Things The Very Best Of

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(2003/REPERTOIRE) 26 titres de 1964 à 1976 / derniers exemplairesplus

The Pretty Things: The Very Best Of

(2003/REPERTOIRE) 26 titres de 1964 à 1976 / derniers exemplaires

Propriétés de l'article:The Pretty Things: The Very Best Of

  • Interpret: The Pretty Things

  • Titre de l'album: The Very Best Of

  • Label REPERTOIRE

  • Année de publication 2003
  • Genre Beat

  • Artikelart CD

  • EAN: 4009910499023

  • Poids en kg: 0.1
Pretty Things, The - The Very Best Of CD 1
01RosalynThe Pretty Things
02Don't Bring Me DownThe Pretty Things
03Honey, I NeedThe Pretty Things
04I Can Never SayThe Pretty Things
05Cry To MeThe Pretty Things
06Sittin' All AloneThe Pretty Things
07Midnight To Six ManThe Pretty Things
08Come See MeThe Pretty Things
09L.S.D.The Pretty Things
10A House In The CountryThe Pretty Things
11Me Needing YouThe Pretty Things
12ProgressThe Pretty Things
13ChildrenThe Pretty Things
14Death Of A SocialiteThe Pretty Things
15PhotographerThe Pretty Things
16Defecting GreyThe Pretty Things
17Mr. EvasionThe Pretty Things
18Talkin' About The Good TimesThe Pretty Things
19Walking Through My DreamsThe Pretty Things
20Private SorrowThe Pretty Things
21The Good Mr. SquareThe Pretty Things
22October 26The Pretty Things
23Cold StoneThe Pretty Things
24Stone-Hearted MamaThe Pretty Things
25Havana BoundThe Pretty Things
26TonightThe Pretty Things
The Pretty Things, formed by the Rolling Stones' original bass guitarist, Dick Taylor, and Phil... plus
"The Pretty Things"

The Pretty Things, formed by the Rolling Stones' original bass guitarist, Dick Taylor, and Phil May (born on Sept. 11, 1944) at Sidcup Art College in the autumn of 1963, were doomed by their scruffy image and Bo Diddley-bAsed rhy-thm and blues to the role of poor man's Stones. With Taylor switching to lead guitar, the rest of the line-up was May (vocals, harmonica), Brian Pendleton (rhythm guitar), John Stax (bass, harmonica), Viv Prince (drums).

They were signed up almost at once as the R&B boom hit the music in-dustry, but after early hits, the double-sided 'Big Boss Man'/ `Rosalyn' (Miy, 1964), 'Don't Bring Me Down' (November, 1964) and 'Honey I Need' (March, 1965) on Fontana, they failed to make the Stones' shift to their own material until, in a reorganized line-up, May and Taylor composed the biographical S. F. Sorrow (Harvest, 1968), supposedly an encouragement — if not an influence — for Pete Townshend's Tommy project. Following the departure of Taylor and the failure of the highly regarded Parachute album in 1969, the band folded for a time, re-forming to record Freeway Mad-ness (Warner Bros., 1972). In 1974, with May, Peter Tol-son (guitar), John Povey (keyboards), and Skip Alan (drums) still together from the Parachute personnel, plus Jack Green (vocals) and Gordon Edwards (bass), they signed with Led Zeppelin's Swan Song label for Silk Torpedo.

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