Wilson Pickett Mr. Magic Man - The Complete RCA Studio Recordings (2-CD)
- Réf. de l’article: CDRGM0384
- Poids en kg: 0.12
Wilson Pickett: Mr. Magic Man - The Complete RCA Studio Recordings (2-CD)
Propriétés de l'article: Wilson Pickett: Mr. Magic Man - The Complete RCA Studio Recordings (2-CD)
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Interpret: Wilson Pickett
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Titre de l'album: Mr. Magic Man - The Complete RCA Studio Recordings (2-CD)
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Label Real Gone
- Année de publication 2015
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Genre Soul
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Artikelart CD
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EAN: 0848064003847
- Poids en kg: 0.12
| Pickett, Wilson - Mr. Magic Man - The Complete RCA Studio Recordings (2-CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | Mr Magic Man | Wilson Pickett | ||
| 02 | Only I Can Sing This Song | Wilson Pickett | ||
| 03 | Love Is Beautiful | Wilson Pickett | ||
| 04 | I Sho' Love You | Wilson Pickett | ||
| 05 | Baby Man | Wilson Pickett | ||
| 06 | Sin Was The Blame | Wilson Pickett | ||
| 07 | What It Is | Wilson Pickett | ||
| 08 | If You Need Me | Wilson Pickett | ||
| 09 | I Can't Let My True Love Slip Away | Wilson Pickett | ||
| 10 | I Keep Walking Straight Ahead | Wilson Pickett | ||
| 11 | Take A Closer Look At The Woman You're With | Wilson Pickett | ||
| 12 | Memphis, Tennessee | Wilson Pickett | ||
| 13 | Soft Soul Boogie Woogie | Wilson Pickett | ||
| 14 | Help Me Make It Through The Night | Wilson Pickett | ||
| 15 | Never My Love | Wilson Pickett | ||
| 16 | You Lay'd It On Me | Wilson Pickett | ||
| 17 | Is Your Love Life Better | Wilson Pickett | ||
| 18 | Two Women And A Wife | Wilson Pickett | ||
| 19 | Why Don't You Make Up Your Mind | Wilson Pickett | ||
| 20 | Take The Pollution Out Of Your Throat | Wilson Pickett | ||
| 21 | Take A Closer Look At The Woman You're With (Mono Promo Version) | Wilson Pickett | ||
| 22 | Soft Soul Boogie Woogie (Mono Promo Version) | Wilson Pickett | ||
| Pickett, Wilson - Mr. Magic Man - The Complete RCA Studio Recordings (2-CD) CD 2 | ||||
|---|---|---|---|---|
| 01 | Iron It Out | Wilson Pickett | ||
| 02 | Isn't That So | Wilson Pickett | ||
| 03 | Take A Look | Wilson Pickett | ||
| 04 | I Was Too Nice | Wilson Pickett | ||
| 05 | Don't Pass Me By | Wilson Pickett | ||
| 06 | What Good Is A Lie | Wilson Pickett | ||
| 07 | Young Boy Blues | Wilson Pickett | ||
| 08 | Take Your Pleasure Where You Can Find It | Wilson Pickett | ||
| 09 | You're The One | Wilson Pickett | ||
| 10 | Join Me And Let's Be Free | Wilson Pickett | ||
| 11 | Let's Make Love Right | Wilson Pickett | ||
| 12 | I've Got A Good Friend | Wilson Pickett | ||
| 13 | Smokin' In The United Nations | Wilson Pickett | ||
| 14 | Gone | Wilson Pickett | ||
| 15 | Good Things | Wilson Pickett | ||
| 16 | Higher Consciousness | Wilson Pickett | ||
| 17 | Bailin' Hay On A Rainy Day | Wilson Pickett | ||
| 18 | Mighty Mouth | Wilson Pickett | ||
| 19 | Isn't That So (Mono Promo Version) | Wilson Pickett | ||
| 20 | Take Your Pleasure Where You Can Find It (Mono Promo Version) | Wilson Pickett | ||
Wilson Pickett
In The Midnight Hour
Wilson Pickett
In The Midnight Hour
Although Atlantic Records had produced a Solomon Burke cover of his impassioned If You Need Me that outsold his Detroit-cut original for Lloyd Price and Harold Logan's Double-L label (see 'Sweet Soul Music 1963' for the full story), Wilson Pickett gravitated to Atlantic honcho Jerry Wexler's desk when his Double-L contract expired. He'd nailed a sizable hit for Price's firm with his searing soul ballad It's Too Late three months after the head-to-head battle over If You Need Me.
Wilson brought a finished master of I'm Gonna Cry with him, but neither that torrid rocker nor Come Home Baby, an over-produced ballad done in New York, made any chart inroads for the Prattville, Alabama-born soul screamer. Atlantic had entered into a profitable distribution deal with Stax Records in Memphis, and Jerry decided to escort Wilson down there to cut with The MG's, the label's resident rhythm section. Their guitarist Steve Cropper was entrusted with rounding up material.
"I didn't know who he was," says Cropper. "I knew he was in The Falcons, and he had sang some church stuff. So we got in the record shop and started trying to find stuff that this guy Wilson Pickett sang on. I had no idea. Jerry Wexler called and said, 'I'm bringing down this artist, and I know you guys would be great for him. Cropper, I want you to work with him and set him up, introduce him to the band!'" Steve dug into the racks at the Satellite Record Shop, conveniently located in the Stax/Volt complex and operated by label co-owner Estelle Axton. "So he was singing this gospel song: 'I'm gonna wait 'til the midnight hour, gonna see my Jesus in the midnight hour. Whoa, in the midnight hour!' Anyway, he had an idea too, and we finished that song."
Besides the fat-toned horns and Pickett's gutsy screams, one of Midnight Hour's defining traits was its delayed backbeat, the result of Wexler demonstrating a new dance. "Jerry was doing the Jerk in the studio, and I think that's where the delayed two and the four came from Al (Jackson, Jr.) a little bit on 'In The Midnight Hour,'" says bassist Duck Dunn. "Jerry was telling us about this dance that was going around up in New York City, and he got to doing it there in the studio. And then Al started playing the drums with it. Every time Jerry would throw his arms, Al would hit the snare drum. It kind of became a signature thing of Al's too, delaying that two and four." Midnight Hour paced the R&B hit parade and went to #21 pop. Cut that same day was Don't Fight It, his next big one;Memphis had cured Pickett's hit drought.
- Bill Dahl -
Various - Sweet Soul Music
Various - Sweet Soul Music 30 Scorching Classics From 1965
Read more at: https://www.bear-family.de/various-sweet-soul-music-30-scorching-classics-from-1965.html
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