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The Drifters Rock

Rock
 
 
Star Rating (4)

Réf. de l’article: BCD17278

Poids en kg: 0,200

 

Immédiatement disponible à l'expédition, Délai de livraison env. 1 à 3 jours ouvrés.

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15,95 € *
 
 
 
 
 

The Drifters: Rock

Video von The Drifters - Rock

"1 CD Digipack (6- plaqué ) avec 52 pages livret , 32 titres . Temps de lecture env. 81 mns . - Le groupe vocal noir meilleur de tous les temps sur une longue compilation attendue de leurs classiques du rock'n'roll . Les versions originales des chansons comme « Money Honey », « Such A Night ' ( enregistré par Elvis Presley ),« Ruby Baby » et« Drip Drop »( Top Ten résultats pour Dion ) . Tout compte fait, rouleau 32 roche cruciale 'n' titres dont singles solo de Bill Pinkney et Bobby Hendricks et plusieurs autre prend rarement entendu : il suffit de l'étoffe pour captiver les collectionneurs . Le livret contient chunky une nouvelle biographie de Bill Dahl et de nombreuses photos récemment publiées et étonnamment candide . Pourtant, une autre version de circulation dans la série Famille d'ours de "" Les Rocks . - The Drifters sont une institution . Très peu de groupes vocaux sont restées populaires depuis 60 ans. Dans une zone remarquable pour son manque de cohérence, les Drifters sont remarquables . Cette collection , compilée par Drifters biographe Bill Millar, rassemble tous les Drifters titres de rock'n'roll entre 1953 et 1963. Il ya la douzaine de boulanger dirigé par Clyde McPhatter , peut-être la plus belle voix de ténor dans l'histoire du R & B, et un autre 19 titres mettant en vedette importants chanteurs de plomb comme Bill Pinkney , Bobby Hendricks et Ben E.King ainsi que la voix incontestablement ensoleillé de Johnny Moore. Hendricks, le plus classe interprète de comparaître à l' Rock'n'Roll Festival de Hemsby , a un certain nombre de coupes , y compris « Drip Drop » et son solo Top 30 hit, « Sentiment Twitchy Itchy ». - La plupart de ces enregistrements ont été destinés au marché R & B . Bien que les Drifters seraient dominer les charts ils l'ont fait avec les enregistrements qui souvent se sont élevées à voix Solo Plus chanteurs de session suivante notes off une feuille de plomb . - Cette collection est différente. C'est un must pour les amateurs de vraie musique du groupe vocal des chanteurs , avec la participation , de l'imagination , de l'énergie et d'audace. Il n'ya pas de meilleure vitrine pour les Drifters à leur évangile harmonisé, jump- blues, enracinée , rockin et rollin ' meilleur ."

1 CD Digipack (6- plaqué ) avec 52 pages livret , 32 titres . Temps de lecture env. 81 mns .


 

Songs

The Drifters - Rock Medium 1
1: Drip Drop
2: Let The Boogie Woogie Roll
3: Money Honey
4: No Sweet Lovin'
5: Such A Night
6: Bip Bam
7: What'cha Gonna Do
8: Honey Love
9: Steamboat
10: There You Go
11: Hot Ziggety
12: Ruby Baby
13: Three Thirty Three
14: Sadie My Lady
15: Try Try Baby
16: Yodee Yakee
17: Let The Boogie Woogie Roll (first version)
18: I Gotta Get Myself A Woman
19: Hypnotized
20: Baltimore
21: Hey Senorita
22: I Feel Good All Over
23: The Flyers: On Bended Knee
24: Bill Pinky: After The Hop
25: Honky Tonky
26: Bill Pinky: Sally's Got A Sister
27: Bip Bam (take 13)
28: Such A Night (take 5)
29: Drip Drop (alt.)
30: If You Don't Come Back
31: Bobby Hendricks: Itchy Twitchy Feeling
32: Suddenly There's A Valley

 

Artikeleigenschaften von The Drifters: Rock

  • Artiste The Drifters

  • Albumtitel: Rock

  • Format CD
  • Catégorie Rock 'n' Roll
  • Music Genre Rock 'n' Roll
  • Music Style Rock & Roll
  • Music Sub-Genre 201 Rock & Roll
  • Edition 2 Deluxe Edition
  • Titre Rock
  • Marque Bear Family Productions
  • Code de prix AR
  • Sous-catégorie Rock - Rock'n'Roll
  • EAN/GTIN 5397102172786

  • Poids en kg 0.200
 
 

Description du fabricant "Drifters, The"

The Drifters

Amerikanische Gesangsgruppe, die 1953 in New York gegründet wurde. Erste Mitglieder waren Clyde McPhatter, Gerhard Thrasher, Billy Pinkney und Charlie Hughes. In dieser Besetzung hatte die Gruppe 2 Hits: „Such a Night' und „Money Honey'. 1954 stieg Clyde PcPhatter aus. Er strebte eine Solokarriere an und hatte 1958 mit „A Lover's Question' den größten Erfolg. Die Gruppe ging 1958 auseinander. Manager George Treadwell suchte eine neue Gruppe und fand sie in der bis dahin unbekannten Five Crowns. Ihr Chef und Leadsänger war damals Ben E. King. Die Five Crowns nannten sich Drifters.

Jerry Leiber und Mike Stoller schrieben für die Drifters die Hits „There goes my Baby' (1959), „This magic Moment' und „Save the last Dance for me' (1960), Songs, die heute längst Evergreens sind. 1960 trennte sich Ben E. King von den Drifters und nahm den Hit „Spanish Harlem' auf. Sein Nachfolger wurde Rudy Lewis. Mit ihm hatte die Gruppe die Hits „Up on the Roof' (1962), „On Broadway' (1963) und „Under the Boardwalk' (1964). lm Sommer 1964 starb Sänger Rudy Lewis, sein Nachfolger wurde Johnny Moore. Er ist auch heute noch dabei. Von den jetzigen Mitgliedern der Vokalgruppe kam Bill Fredericks 1966, Butch Leake 1970 und Grant Kitchings stieg 1971 ein. Manager der Gruppe ist Fay Treadwell, die Frau von George Treadwell. Er starb 1967. 19,72 gelang den Drifters in England ein fast sensationelles Comeback, als sie mit „At the Club' in die Hitparaden einzogen. „Kissin' in the back Row of the Movies' (1974) und „Loves Games' (1975) waren die Nachfolger.

Original Presse-Info: EMI Electrola GmbH

 

The Drifters

On the surface, the name of The Drifters sounds more like a country combo wearing Stetson hats, twangy guitars, and lonesome expressions on their faces than the most important R&B vocal group of two different and very distinct eras. During the period leading directly into rock and roll's mainstream rise, The Drifters were a sensational hitmaking vehicle for the spectacular lead vocals of Clyde McPhatter, one of the seminal figures in rhythm and blues history due to his extensive use of gospel-rooted melisma in his high-flying leads.

"The marvel of Clyde was you never could tell whether those high notes were in natural voice or falsetto. I believe they were all natural," said his late Atlantic Records co-producer, Jerry Wexler. "It was incredible."

After Clyde went solo, the group utilized a series of replacement leads possessing their own considerable vocal strengths, scoring more hits on a lesser level. Then The Drifters were reborn with all new members, riding a daring violin-and-percussion-enriched sound eventually christened uptown soul to the same stratospheric chart heights McPhatter had previously taken them to.

Manager George Treadwell and New York-based Atlantic kept right on releasing product under the valuable name into the '70s. If anything, the former Crowns, initially led by Ben E. King, became an even bigger commercial commodity than Clyde's original lineup after they were installed as the new Drifters; they stuck around the scene longer despite enduring another endless series of personnel changes. Like Clyde, Ben E. didn't stay for long, his curt dismissal by Drifters management failing to impede the group's fortunes one iota.

It didn't hurt to have some of the industry's top producers and songwriters in The Drifters' corner to help them segue seamlessly into the soul era. The name itself retained its value long after the hits stopped coming; witness the countless phony Drifters aggregations criss-crossing the U.S. to this day, populated by singers young enough to be McPhatter's grandkids. But when Clyde was barely able to legally buy a drink in a Manhattan bar, his Drifters exploded into the most innovative R&B group on the scene, posting seven major hits on Atlantic from late 1953 through early '55, including a pair of chart-toppers. A mere handful of other pioneers - Ray Charles, The "5" Royales – brought as much sanctified passion to their uplifting vocal deliveries as McPhatter did that early in the game.

In those days, The Drifters rocked, as this compilation amply illustrates. In an era when sweetly harmonized love ballads were the preferred repertoire for most black vocal groups, the Drifters weren't afraid to cut loose with unrestrained up-tempo numbers brilliantly showcasing McPhatter's church-imbued lead tenor and the rafter-rattling backup of his fellow Drifters. Atlantic honcho Ahmet Ertegun was a McPhatter fan even before he signed him, having watched him front Billy Ward's Dominoes until the dictatorial Ward fired the young singer during a high-profile New York engagement in the spring of 1953.

"Ahmet loved the Dominoes," said Wexler. "He went to Birdland to see Billy Ward. And Billy Ward used to run his band like James Brown did. There were fines for this and fines for that - fines for unshined shoes, for missing a note, whatever. So after they did their show, Ahmet went backstage and he said to Billy, 'Where's Clyde? I didn't see him this evening.' He said, 'I fired his ass!' So Ahmet went uptown and found him, and that was it."

McPhatter subsequently became a hero to an entire generation of up-and-coming lead tenors. "So many people paid debts to him," said Wexler. "All the high-voiced singers, including Smokey Robinson, Aaron Neville, you name them. None of them fails to hail Clyde as a main influence."

"When I got to be about 11 or 12, I became interested more in what they termed then as the R&B music and the rock and roll kind of sound," says Smokey. "Billy Ward was the leader of a group called the Dominoes, in which Clyde McPhatter sang the lead vocals. The first record I ever heard by them was a record called 'Have Mercy Baby.' I mean, I thought it was a woman singing the song! And I had one of these real high voices when I used to sing.

"Then I went to this theater in Detroit called the Broadway Capitol, and they were playing there. And I saw that it was Clyde McPhatter singing, man, and that really was inspirational to me, because I had a high voice, and the girls were going crazy over him. So Clyde McPhatter was probably like my first male idol as a singer."

Add Nolan Strong of The Diablos, Dee Clark, Marv Johnson, Donnie Elbert, Jimmy 'Handy Man' Jones, and subsequent Drifters front men David Baughan, Johnny Moore, and Bobby Hendricks to the select list of McPhatter disciples. Once an impressionable young tenor absorbed Clyde's intoxicating innovations, it was difficult for him not to be permanently swayed.

"Clyde had the high thing I used to like to do," confirms Neville. Even singers whose styles weren't all that obviously influenced by him are quick to pay tribute. "My main idol was the late Clyde McPhatter," says Gary U.S. Bonds.

Clyde came by his gospel influences organically. Born November 15, 1932 in Durham, North Carolina, McPhatter's father preached at Mount Calvary Baptist Church, and his mother played the organ for services. Clyde started singing in the choir at age five. Before he was 10, he was soloing. The McPhatters (there were seven kids in all) relocated to Harlem during the mid-1940s. Clyde joined a young gospel aggregation, The Mount Lebanon Singers, while in high school. They made a heavenly name for themselves not just in New York, but along the East Coast.

The temptation of secular music proved irresistible for McPhatter. He competed in the Apollo Theatre's weekly amateur contest in 1950, crooning Lonnie Johnson's Tomorrow Night his way and finishing high in the voting. Ward was in the process of assembling a new group with agent Rose Marks that they envisioned challenging The Ravens and Orioles, the two hottest R&B harmony groups around at the time. He offered McPhatter a chance to audition (fellow Mount Lebanon Singer Charlie White came along for the ride and ended up being hired as well). The classically trained Ward got an earful of Clyde's thrilling tenor and was brought on board, the new group initially christened The Ques. An appearance on the 'Arthur Godfrey's Talent Scouts' preceded veteran guitarist Rene Hall sending them in the direction of Syd Nathan's King Records. 

DRIFTERS Rock
Read more at: https://www.bear-family.com/drifters-rock.html
Copyright © Bear Family Records

 
Presseartikel über The Drifters - Rock
Évaluations des clients pour "Rock"
Moyenne des évaluations des clients :
Star Rating
(parmi 4 évaluations de clients)
 
 
De : Schweder 2014-05-23 10:54:51

There's no better compilation. Great!!!

 
De : Redecker 2014-03-13 14:07:42

Bear Family brings together the rock'n roll repertoire of a doo-wop group that survived as a top act.
Record Collector 2/14 Bob Solly

 
De : Redecker 2014-03-13 14:07:32

Eine Compilation, die Sammlerherzen zum Lachen bringt.
Dynamite 1/14

 
De : Redecker 2014-03-13 14:07:18

This is a smashing collection any way you want to cut it, magical sounds that will always be among the most important records in the development of R & B.
Now Dig This 9/13 Trevor Caijao

 
 
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