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Sanford Clark Son Of A Gun: Anthology 1956 - 1962

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Réf. de l’article: CDJAS3663

Poids en kg: 0,100


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Sanford Clark: Son Of A Gun: Anthology 1956 - 1962

(2015/Jasmine) 34 tracks.

Produced By Lee Hazlewood



Sanford Clark - Son Of A Gun: Anthology 1956 - 1962 Medium 1
1: The fool
2: Lonesome for a letter
3: Don't care
4: A cheat
5: Usta be my baby
6: Ain't nobody here but us chickens
7: Don't cry
8: Nine pound hammer
9: Ooo baby
10: Darling dear
11: The glory of love
12: A cross eyed alley cat
13: Love charms
14: Lou be doo
15: The man who made an angel cry
16: Swanee River rock
17: Modern romance
18: Travelin' man
19: That's the way I feel (Ooh wee)
20: Sing 'em some blues
21: Still as the night
22: Bad luck
23: My jealousy
24: Run, boy, run
25: New kind of fool
26: Son of a gun
27: I can't help it
28: Go on home
29: Pledging my love
30: The girl on death row
31: Guess it' love
32: It hurts me, too
33: Tennessee walk  
34: Give the boy love  


Artikeleigenschaften von Sanford Clark: Son Of A Gun: Anthology 1956 - 1962

  • Artiste Sanford Clark

  • Albumtitel: Son Of A Gun: Anthology 1956 - 1962

  • Format CD
  • Catégorie Rock 'n' Roll
  • Titre Son Of A Gun: Anthology 1956 - 1962
  • Release date 2015
  • Marque JASMINE
  • Sous-catégorie Rock - Rock'n'Roll
  • EAN/GTIN 0604988366327

  • Poids en kg 0.100

Description du fabricant "Clark, Sanford"


#born Tulsa, Oklahoma, in 1935, moved to Phoenix, Arizona at nine or ten. Childhood pal, Al Casey, persuaded Clark to get on-stage at the Arizona Hayride and the crowd went for his Elvis impersonation. Casey, who played guitar with the Arizona Hayriders, brought along Lee Hazlewood, a 27-year old dee-jay from KTYL who was looking for someone to sing a song he'd written. Hazlewood liked Clark's style, and the three men pooled $215 to cut The Fool at a local studio owned by Floyd Ramsey.

1500 copies were pressed on MCI, a label owned by Ramsey and the other musicians on the record. Bill Randle, famed Cleveland dee-jay, liked his copy well enough to contact Randy Wood, and, with Dot behind it, The Fool reached the Top 10 in August 1956, the same month that Dot relocated from Tennessee to Hollywood. This anthology features the flipside, Lonesome For A Letter, Clark's finest rockabilly number on which all concerned looked towards Elvis's Sun sound for inspiration.

Unlike Elvis, Clark wasn't teen idol material. He'd spent three years in the Air Force and by February 1957 he was a husband and father. Worst of all, he lacked confidence. Clark had no more hits to speak of, but most of his records for Dot, Jamie, 3-Trey, Project, Warner Brothers, Ramco, LHI and Desert Sun were every bit as interesting. Clark's Dot and Jamie recordings can be found on Bear Family (BCD 15549). Lee Hazlewood also produced the records of Jimmy Spellman, Ray Sharpe and, of course, Duane Eddy.

By 1967, when he was playing Sonny to Nancy Sinatra's Cher, this son of an Oklahoma oil-driller had seen his independent productions sell 36 million records in ten years.

Sanford Clark Shades
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Copyright © Bear Family Records


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